Recently on the csharp subreddit, the post C# 9.0 records: immutable classes linked to a surprisingly controversial article discussing how C# 9.0's records are, underneath it all, immutable classes. The comments are full of back-&-forth over whether one should use records for ease or structs for performance. The pro-struct argument revolved around the belief that performance should always be a developer's #1 priority, and anything less was the realm of the laggard. Here is a real-world example that shows with stark clarity why that kind of thinking is wrong. Consider the following scenario:
You're working on a game with dozens, maybe hundreds of people on the team; you don't know because when you were cross with facilities about them removing all the fluorescents, you got accused of being against the new energy saving initiative. Now you swim in a malevolent ocean of darkness that on some very late nights alone in the office, you swear is actively trying to consume you.
The team that preceded you inherited an engine that is older than OOP, when source repositories were stacks of 8-inch floppies, and it looked as if Jefferson Starship was going to take over the world. One year ago they bequeathed upon the company this nightmare of broken, undocumented GOTO spaghetti & anti-patterns. You're convinced this was their sadistic revenge for all getting fired post-acquisition.
Management denied your request to get headcount for an additional technical artist, but helpfully supplied you with an overly nervous intern. After several weeks working alongside them, you're beginning to suspect they're pursuing something other than a liberal arts degree.
Despite the many getting started guides you spent countless evenings writing, the endless brownbags nobody attended, and the daily dozen emails you forward to oppressively inquisitive artists comprised of a single passive-aggressive sentence suggesting they scroll down to the part that begins FW: FW: FW: FW: FW: FW: RE: WE BROKE TOOL NEED WORKAROUND ASAP ...
...yes, despite all of that, the engineering team still spent days tracking down why the game kept crashing with Error 107221: У вас ошибка after re-re-re-re-re-throwing an ex_exception when it couldn't (and should never even try to) load a 16K-textured floor mat.
Despite your many attempts to politely excuse yourself, one blissfully unaware artist exhausts 48 minutes of your lunch break explaining how the Pitchfork review for the latest "dope slab" of this TikTok-Instagram-naphouse artist you never heard of was just sooooo unfair.
And then in their hurry to finish up & catch the 2:30 PM bus home, they forget to toggle Compress To CXIFF (Custom Extended Interchange File Format), set the Compression slider 5/6ths of the way between -3 & -2, look to their left, look to their right, click Export As .MA 0.9.3alpha7, and make absolutely, positively, 100% SURE not to be working in prod. And THAT is how the game explodicated.
You know better than anyone the intermediate file format the main game loop passes to Game.dll, memory mapping it as a reverse top-middle Endian binary structure.
You know for 381 of the parameter fields what their 2-7 character names probably mean.
YOU know which 147 fields always have to be included, but with a null value, and that the field ah_xlut must ALWAYS be set to 0 unless it's Thursday, in which case that blackbox from hell requires its internal string equivalent: TRUE.
YOU know that the two tech artists & one rapidly aging intern that report to you would totally overhaul tooling so artists would never "happen" again, but there just aren't enough winters, springs, summers, falls, July 4ths, Christmas breaks, Presidents Days, and wedding anniversaries in a year to properly do so.
And so somehow you do. A blurry evening or two here. A 3:00 AM there. Sometimes just a solitary lunch hour.
Your dog no longer recognizes you.
You miss your wife calling to say she's finally cleaning out the hall closet and if you want to keep this box of old cards & something in plastic that says Underground Sea Beta 9.8 Grade, you better call her back immediately.
And your Aunt Midge, who doesn't understand how SMS works, bombards you one evening: your father is... no longer with us... they found him... 1 week ago... in an abandoned Piggly Wiggly... by an old culvert... split up... he was then... laid down to rest... sent to St. Peter's... and your father... he's in a better place now... don't worry... it's totally okay... we decided we will all go... up to the mountain
You call your sister in a panic and, after a tidal wave of confusion & soul-rending anxiety, learn it was just Hoboken Wireless sending the messages out of order. This causes you to rapidly cycle.
On your bipolar's upswing, you find yourself more productive than you've ever been. Your mind is aglow with whirling, transient nodes of thought careening through a cosmic vapor of invention. It's like your brain is on 200mg of pure grade Adderall.
Your fingers ablaze with records, clean inheritance, beautiful pattern matching, bountiful expression syntax, aircraft carriers of green text that generate the most outstanding CHM for an internal tool the world has ever seen. Readable. PERFECTLY SOLID.
After much effort, you gaze upon the completed GUI of your magnum opus with the kind of pride you imagine one would feel if they hadn't missed the birth of their son. Clean, customer-grade WPF; tooltips for every control; sanity checks left & right; support for plugins & light scripting. It's even integrated with source control!
THOSE GODDAMNED ARTISTS CAN'T FAIL. YOUR PIPELINE TOOL WON'T LET THEM.
All they have to do is drag content into the application window, select an options template or use the one your tool suggests after content analysis, change a few options, click Export, and wait for 3-5 minutes to generate Game.dll-compatible binary.
Your optimism shines through the commit summary, your test plan giddy & carefree. With great anticipation, you await code review.
A week goes by. Then two. Then three. Nothing. The repeated pinging of engineers, unanswered.
Two months in you've begun to lose hope. Three months, the pangs of defeat. Four months, you write a blog post about how fatalism isn't an emotion or outlook, but the TRANSCENDENCE of their sum. Two years pass by. You are become apathy, destroyer of wills.
December 23rd, 2022: the annual Winter Holidays 2-hour work event. The bar is open, the Kokanee & Schmidt's flowing (max: 2 drink tickets). The mood a year-high ambivalent; the social distancing: acceptable. They even have Pabst Blue Ribbon, a beer so good it won an award once.
Standing beside you are your direct reports, Dave "Macroman" Thorgletop and wide-eyed The Intern, the 3 of you forming a triumvirate of who gives a shit. Dave is droning on & on about a recent family trip to Myrtle Beach. You pick up something something "can you believe that's when my daughter Beth scooped up a dead jellyfish? Ain't that something? A dead jellyfish," and "they even had a Ron Jons!"
You barely hear him, lost as you are in thought: "I wishIhad 2 days of vacation." You stare down ruefully at your tallboy.
From the corner of your eye you spot Milbert, index finger pointed upward, face a look of pure excitement.
"Did I tell you about my OpenWinamp project? It's up on SourceForge", he says as he strides over. It's unsettling how fast this man is.
Dave snickers. The Intern keeps staring wide-eyed. You position yourself somewhat close to the studio's 3 young receptionists, hoping they serve as a kind of ritual circle of protection.
It works... kind of. Milbert is now standing uncomfortably close to The Intern, Dave nowhere to be seen.
From across the room you distinctly hear "Think about it, the 1st-person UI could be Lua-driven Electron."
The Intern clearly understands that words are being spoken to them, but does not comprehend their meaning.
You briefly feel sorry for the sacrificial lamb.
You slide across the wall, putting even more distance between you & boredom made man. That's when you spot him, arrogantly aloof in the corner: Glen Glengerry. Core engineering's most senior developer.
Working his way up from a 16-year old game tester making $4.35 an hour plus free Dr. Shasta, to pulling in a cool $120K just 27-years later, plus benefits & Topo Chicos. His coding style guides catechism, his Slack pronouncements ex cathedra; he might as well be CTO.
You feel lucky your team is embedded with the artists. You may have sat through their meetings wondering why the hell you should care about color theory, artistic consistency, & debates about whether HSL or CMYK was the superior color space (spoiler: it's HSL), you were independent and to them, a fucking code wizard, man.
And there he stands, this pseudo-legend, so close you could throw a stapler at him. Thinning grey-blonde tendrils hanging down from his CodeWarrior hat, white tee with This Guy VIMs on the back, tucked into light blue jeans. He's staring out into the lobby at everything and yet... nothing all at.
Maybe it's the 4.8% ABV. Maybe it's the years of crushing down anger into a singularity, waiting for it to undergo rapid fiery expansion, a Big Bang of righteous fury. Maybe it's those sandals with white socks. Maybe it's all three. But whatever it is, it's as if God himself compels you to march over & give him a piece of your mind, seniority be damned.
"Listen, you big dumb bastard..."
That... is maybe a little too aggressive. But Glen Glengerry barely reacts. Pulling a flask out of his back pocket, he doesn't look over as he passes it to you.
Ugh. Apple Pucker.
"I thought bringing in your own alcohol was against company policy", wiping sticky green sludge from your lips. He turns with a look of pure disdain & snorts.
"You think they're going to tell ME what I can & can't bring in?" He grabs the flask back, taking a big swig.
For what feels like an eternity, you both stand in silence. You swallow, speaking softly. "None of you even looked at my code. I worked very, very hard on that. My performance review for that year simply read 'recommend performance improvement plan." The words need no further context.
"I know", Glen² replies. "That was me."
Now you're not a weak man, and maybe in some other circumstance you would have punched him in the goddamn lip. But you feel nothing, just a hollowness inside. "Why?", you ask, wondering if the answer would even matter.
"Because you don't use Bulgarian notation. Because your method names aren't lower camel case. Because good code doesn't require comments. Because you use classes & records over more performant structs, pointlessly burdening the heapstack. BECAUSE. YOUR CODE. IS. SHIT."
You clinch your fists so tightly the knuckles whiten.
He looks away from you, taking another sip of green goo. "You're not a coder. You're an artist masquerading as one" he speaks, as if it were fact.
The only thing artistic about you is the ability to create user-friendly internal tooling using nothing but a UI framework, broken down garbage nobody wants to touch, & sheer willpower. If your son's life depended on you getting accepted into art instruction school, you couldn't even draw a turtle.
He doesn't pause. "I'll champion ruthless micro-optimization until the day I die. But buddy, I'm going to let you in on a little secret: you aren't here to improve workflow. You're here to LOOK like you're doing something NOBODY else can."
He goes on. "What do you think those artists are going to do when they have to stare at a progress bar for 4, 5 minutes? They're going to complain your tool is slow."
"Sure, it may take them 20, 30 minutes to do it the old way, there'll be an error, and either they'll stare at it for 30 minutes before adding that missing semi-colon or they'll come get you. And you'll fix it. And 1 week later, they won't remember how. And you'll stay employed. And every. Body. Wins."
A little bit of the pride, the caring, wells back up inside from somewhere long forgotten.
"You don't think we should care about rapid application development & KISS, quickly getting things out that help our team, instead devoting ourselves to shaving off ticks here & there? What do you think artists are going to do with those 4 minutes you talk about?
You don't stop. "I'll tell you what they'll do. They'll 9GAG for 20 minutes straight. They'll listen to podcasts about dialectical materialism vis-a-vis the neo-feudalism that is a natural extension of the modern world's capitalist prison. They'll Reddit."
His silence gives you the bravery to push the limits.
"Christ, man. Are you only in it for the $120K..."
He corrects you: "...$123K."
"...only in it for the $123K/year? The free snacks from the microkitchen? The adulation? Have you no sense of comraderie?? No desire to push us to something better?! No integrity?!!!"
His eyes sharply narrow, face creases in anger. You clearly have overstepped your bounds.
"You thinkIdon't have integrity? No sense of teamwork? I'm only in it for the cold cash? You think I don't care about you all?", he roars.
A light volley of small green flecks land on your face.
"Why do you think they made a 16-year old tester the lead developer of a 1993 Doom clone?! Because my code was clean & painless to work with?! Because I made coding look easy?! No! IT WAS BECAUSE I WAS A GOD TO THEM.
And from a God, a PANTHEON. We built monuments to over-engineering! We crafted that of 7 weeks onboarding, that of immortal bugs, demonic hosts spawned by legion from the very loins of a fix. It took 2 years before a developer could BEGIN to feel confident they knew what they were doing. And by that time, they were one of US!
You think the team we laid off November '19 was fired because they were bad at their jobs? NO! It was because they worked themselves out of one. They didn't leave us a broken pipeline. They left an internal Wiki, a wealth of tools & example projects, and a completely transparent code base.
We couldn't have THAT, now could we? No, we couldn't. So we got rid of it. ALL OF IT. Poof. Gone. Just like that. Before anyone even knew a THING."
He leans forward, so close his psoriasis almost touches yours. With an intensity that borders on frightening, he whispers "You think they left us Game.dll? I fucking *MADE** Game.dll."*
The words hit hard like a freight train.
And without another word, he turns & leaves. You're left there, alone, coworkers milling about, with only one thought.
Were one to get a hobby, should it be cocaine?
It's these kinds of situations that make me believe there are far more important considerations than a ruthless dedication to performance, even in the game industry as my real-world scenario so clearly demonstrates.
Hi r/shmups! I'm currently on a project where I try to review every shmup on the Switch, so I thought I'd share my reviews here! Here's the 26th entry: Darius Cozmic Collection Arcade
We’ve all had a game that is a gateway to a specific genre. That one game which made us pay attention to a style of games and allowed us to fully experience the genre. It might not have been the first one we play, but it is definitely one that stays closer to our hearts. For me, this game was Darius. I’ve mentioned this in the past, but I will say it again: Darius is the shmup that is closest to my heart. I loved the horizontal gameplay, I loved the Silver Hawk, I loved all the huge bosses that looked like fishes. The gameplay also hit bunch of chords that resonate with what I love about shmups. I’ve been waiting so long for this, so alas, I present to you: Darius Cozmic Collection Arcade! Publisher: ININ Games Platform: Nintendo Switch Release date: Jun 16, 2020 Price: $44.99 Tate: Built-in Darius Cozmic Collection Arcade is a collection of the Darius games released on the arcades. This wasn’t your typical cabinet, as one of its main features was the usage of multiple screens. Darius used 3 screens, while Darius II/SAGAIA used 2 screens. M2 really went out of their way to bring the most authentic arcade experience! The result is impressive to say the least! This collections includes 4 games:
Darius and SAGAIA include 3 and 2 different versions respectively, bringing it to a total of 7 playable games. ARCADE GLORY As hard as this might be to believe, I have never played an arcade Darius game before. I always mentioned Darius as my favorite shmup, but the truth is that I began with the SNES games. I had heard on the street that the arcade versions were superior so I was very excited. When I booted the original version, I couldn’t help but feel like I was standing next to an actual arcade cabinet. The game greeted me with 3 screens places next to each other on the center of the screen. I was excited to play, so I pressed the coin button. I was not prepared for what I was about to experience… As soon as I inserted the coin, a typical fanfare played along as my credit counter increased by one. But there was something else. The controller started vibrating to the tune of the music. I just can’t make justice to this effect with words. It felt like being inside an actual arcade cabinet. Vibrations and sound made the experience feel authentic. It made me think about the arcade days where you would hear cabinets everywhere and just feel the energy of the place. As soon as I started to play, the screen changed and the empty spaces were replaced by arcade artwork. This artwork was exactly the kind you would see pasted near the controllers to show you how to play and other general information. Everything about the game was designed to make you feel like on the arcade. This is the kind of presentation that every other arcade port should try to achieve. FISH GRAVY What truly sets apart the Darius Cozmic Collection from any other collection is the amount of features and arcade fidelity that M2 added to the game. Every single aspect, every single menu and every single feature was lovingly added to create a masterpiece. From the get go, you will be presented with the very familiar “A boss is approaching” message featuring King Fossil. The message just says that your game data is approaching fast. It really is only a fancy way of saying the game is loading, but it sets the tone to the orgasmic experience that you are about to have with the game. After going through the intro scene, you will be greeted with the main menu which contains all 7 playable titles in this collection. You also have a replay, manual and staff options. If you are wondering where the options are, they are specific for each game, so they must be adjusted from within each game. My only complaint here is that the manual is in japanese. There isn’t much to learn from a manual though. The only thing was the Darius Gaiden capture mechanic, so I picked that one up from the internet. AN ENTIRE LEGACY Speaking of the games, 7 different titles can be quite intimidating. If you are anything like me, then chances are you don’t know what’s “new ver” or “extra ver”. Thankfully, each game features a sort of museum display that features a screenshot of the menu, the title, the launch date and a very thorough description of the game. The text will navigate you through each version of the games and specifically highlight why it is different from its predecessor or what was changed when going to western markets. Each game includes a training mode for those who wish to challenge specific parts of the game. Training mode will let you choose to play any stage and customize a variety of settings such as the strength of your Silver Hawk and the game rank, which is the in-game difficulty. The obvious use for this mode is to practice your piloting skills and go for the 1CC. Even casual players can view this as a pseudo level select cheat code for maximum enjoyment! Perhaps one of the most amazing inclusions of the collection is the replay mode. For every one of your play throughs, there is an option to save a replay of your play session. What differs from regular replays, is that they pack an incredibly robust set of features. Other than being able to watch a recording of yourself, you can see your inputs and control the playback of the replay. You can rewind, fast forward, go back, increase the speed or even go full slow-mo to analyze your gameplay. KING OF THE ARCADE Challenging oneself is one thing, but going after the world is the true spirit or arcade shmups. Darius Cozmic Collection Arcade features online rankings which are separated into 2 categories: “Arcade” and “All-mix”. Arcade is played with every setting on default and using only one credit. If you are playing and choose to spend an additional credit to continue, then your scoring is changed to “All-mix”. All-mix is a catch-all for every other style, from easy difficulty to hard or even static rank modes. If you ever wondered what’s it like to play like the king of the leaderboards, then you’ll be glad to know you can download leaderboard replays! This allows you to watch the entire play throughs of top players, along with their inputs and the previously mentioned playback features of a replay. A must have for those willing to go for the record or even those curious about what it means to be a champion. YOUR PERFECT CABINET The in-game menu for each game will further let you customize your gameplay experience. The amount of options is truly staggering, so suffice to know that you can change in-game setting as difficulty and score for an extend, screen quality adjustments like scan lines and gadgets, and the controllers. One menu I really want to highlight is the gadgets menu. Gadgets are responsible for making the gameplay experience truly stand out. They track all sorts of data from yourself and the enemies. From a friendly side, you can see your current level of power, the number of hits your arm can take and the information related to the current zone. From a less friendly side, you have all sorts of analyzers that display the current boss, their weakness and detailed HP for each of their parts. There’s even a life gauge that appears at the bottom of the screen for easy viewing when fighting bosses! Although I could see an argument against being way too much information, I’m personally thankful because I’m a data nerd and I love knowing all this information. If it is too much for you, then you can always turn off the gadgets and customize the screen to your liking. The real beauty comes from creating your perfect cabinet. THE EMULATOR ADVANTAGE One of the main selling points of emulators has been the ability to use save states. Darius Cozmic Collection is no slouch and features save states of its own! These save states will let you cheese the game as much as you want, but they also let you replay specific sections and master them for your future arcade runs. I won’t judge you, so have fun with save states! The only caveat is that using save states will not record your score. Unfortunately, replays will only record from the last time you loaded the save state onwards. So there’s no chance of creating tool-assisted runs. Oh yeah, I forgot to mention that bringing up the in-game menu will completely pause the game and show you a fully-fledged map of the game, complete with boss encounters for each zone and the amount of power-ups featured in said zone. It really is great for strategy purposes to know which stage will allow you to upgrade your Silver Hawk! Resuming a game will also give you a 3 second count down with a jumping robot animation to ensure you are ready for action. This detail wasn’t really needed, but it is one of the many ways in which M2 shows appreciation for Darius and the player. Out of all this nitty gritty details, I have to say the song name is one of my favorites. In the bottom right corner of the screen there is a pop-up that appears when the song changes and displays the song name. I just think it looks really cool. By the way, don’t forget to check “Olga Breeze”, my favorite song! DARIUS, THE OG Darius, the game that started it all. Featuring 3 screens, this is the biggest Darius game featured in this collection (ha!). If I may add, I also think this is the game that highlights all the love M2 poured into bringing arcade experiences to your living room. With features such as the cabinet art and the body sonic vibration, it really brings home the arcade feeling. As you can expect, playing the first game on the series is both, a nostalgic and a painful experience. Playing on 3 screens is truly magical, but at the same time, it is a victim to the older design choices. Not much that can be done here, after all, it is a decades old game. Just a small detail to keep in mind. Darius helps establish the foundations of the franchise from the very first game. One of the Darius staples is the upgrade system for the Silver Hawk. Throughout the game, you can encounter 3 different orbs which are dropped by different colored enemies. The orbs can be red, green or blue. SILVER HAWK Red orbs will upgrade your primary fire. Each orb increases your power, but collecting 7 will upgrade your shot to the laser, and then the wave. Green orbs will upgrade your bomb, which is your secondary fire. Bombs also get stronger with more orbs and also upgrade when you reach 7. Blue orbs will give you a shield called arm. The initial shield blocks 3 hits and any additional orb will add 1 more hit. Just like red and green, you can upgrade after 7 orbs which will make it so that additional orbs give you 2 hits and then 3. The downside to the upgrade system is that, upon death, you will lose every orb you collected in your current tier. The good news is that if you, for instance, managed to upgrade to the laser, then your shot can never fall below that. The bad news is that the number of orbs is limited per stage, which means it is almost impossible to upgrade within a stage the same stage where you died. The exception is a single stage that has 7 blue orbs in the old version and one with 7 green in the extra version. THE FISH The most distinguishable characteristic of the franchise is definitely the marine bosses. The stages are all over the place with a very diverse space settings, but the bosses are always one thing: fish. Actually, I’d say it is marine biology, but fish is an overly simplistic way to describe it. Darius also has one peculiarity which is that every set of stages has the same boss. For example, the 4th stage boss will always be Fatty Glutton in a different version depending on which zone you chose. The other defining feature of Darius is being able to choose your adventure. After each boss, you can choose to go to one of 2 different zones. This choice is made by either being on the top or bottom half of the screen, as the stage actually splits after beating the boss. It certainly took me off guard the first time as I crashed into the divider. Despite having the same boss, the zones are drastically different and carry the strategic choice of having a different number of orbs. Your path will be determined by which aspect of your Silver Hawk you want to improve. THE COINS What struck me the most about Darius is how unforgiving it is. This is expressed in the descriptions of the newer versions. The thing about Darius, is that the game is next to impossible to beat if you didn’t fully upgrade. Later enemies are merciless and if you don’t have sufficient firepower, then you probably won’t stand a chance. This ruthlessness is exacerbated by the death system, as death will set you considerably behind. Because upgrades are usually a 2-stage effort, getting shot will set you back 2 levels worth of progress. A fun aspect I found on Darius is the dynamic created by having 3 screens. This is probably the widest game I have played, and it brings new challenges to the table. The first one is that you need to gain screen position to succeed. Being at the front is usually better, with moving back feeling like losing real estate. The reason behind this is that you are able to shoot down enemies before they become a threat with their numbers. The other less obvious reason is the number of bullets allowed on screen. That number is limited, so it is in your best interest that those bullets expire fast so you can fire new ones. Being back equals more time before they reach the end of the screen, which is undesirable. Overall, the game poses a unique challenge, but I’m not going to lie, it is actually really fun to play. Achieving an upgraded Silver Hawk is a hard endeavor, but that makes it even more rewarding when you pull it off! DARIUS II/SAGAIA, THE PROOF US WESTERNERS HAVE SHORT ATTENTION SPANS Darius II came in and simplified the game in some interesting ways. First of all it reduced the upgrade system so that it is now only a single stage that can be maxed out. The number of orbs was reduced to compensate. Another simplification comes courtesy of the screens themselves. The number of screens was reduced from 3 to 2 in order to be installed in other dual screen cabinets such as The Ninja Warriors. Unfortunately, the single stage of upgrades means that the game is even more savage when you die. This time around, you actually lose all of your progress in terms of firepower. There will be special rainbow orbs which help you catch up a little, but even then they might be a little too late. As a result, my 1CC had to be done by never dying. I ALWAYS WANTED A THING CALLED A TUNA SASHIMI One thing I want to mention, is that Darius II has my absolute favorite intro sequence of any Darius game in this collection. From the music that goes ramping up to the main theme, to the voice lines calling out the launching sequence: “Main engine energy level, 20% increase !” “I always wanted a thing called tuna sashimi” “3…2…1…” It all creates an unbelievable sense of excitement! A very fun piece of trivia is the existence of SAGAIA. It exists to be a compact version of Darius II to be sold on western markets. Then there’s actually 2 versions of it which feel like 2 pieces of the same game. If SAGAIA trimmed certain pieces of the game, then version 2 came to use those trimmed pieces and created another entry. It’s actually quite funny. DARIUS GAIDEN, THE KING Darius Gaiden is definitely the reason you will keep playing the arcade collection. Quality in older games under a modern eye is usually a product of nostalgia and design elements that still hold on in today’s gaming landscape. Contrasting with that, Darius Gaiden IS a fantastic game that I wouldn’t hesitate to purchase if it was released today. For Darius Gaiden, less is more, as this time around the game was played on a single screen arcade cabinet. The game does seem to lack some of the ambient goodies such as the rumble effects, but it makes up for it in gameplay experiences. TRUE POWER One aspect that is radically different from its predecessor is the upgrade system. Whereas Darius II simplified the Silver Hawk upgrade system, Darius Gaiden took it back to its original Darius roots. This means that, once again, we have multiple upgrade points. Upgrades take considerably less red power-ups to achieve, which actually makes it possible to upgrade multiple times during the same stage. Death penalties are lower as well with death only losing you a level of power. Because there are more power levels, it is more forgiving and doesn’t set you completely behind like the previous entries. Perhaps the best of all is that neither arm nor bombs have any penalty whatsoever. What’s more, you don’t even lose your arm or bomb level when losing a credit. I can say with 100% certainty that this game is actually possible to complete within a reasonable number of credits if you die on the later zones. I would take it one step ahead and say this game has a little of the Contra syndrome. The original Contra is a game that was considered hard, but was significantly easier if you could maintain the spread shot. In the same vein, getting the earliest upgrades makes Darius Gaiden a breeze. A well deserved victory, if you ask me. YOU’RE MINE NOW! New to Darius Gaiden is the ability to capture mid bosses. Half-way through a stage, you will encounter a medium sized boss with a purple orb somewhere in its back. If you manage to take down the orb without killing the enemy, it will detach and slowly drift away. If you capture this orb, then the mid boss will fight alongside you until its timer expires. I gotta say that having a huge fish on your side is surprisingly satisfying! Having a single screen makes the experience much more familiar for shmup enthusiasts. While it does lose some of the charm of the ultra wide field of view, it also rids itself of nuances such as your horizontal movement being low in terms of total horizontal space or the limit on on-screen bullets. A combination of those factors I mentioned contribute to making Darius Gaiden a much better experience. It’s simple to play and forgiving when you lose. Every stage is unique and makes every new play through a completely different experience, not just in a different-ish way, but rather full blown new content! A LEGENDARY PACKAGE OF NOSTALGIA There’s one thing that you might be thinking, and that’s that I might be biased because it is Darius. It is true that I openly admit everywhere that Darius is my favorite. However, in this particular case my work was cut out for me, I don’t need to be biased because this is truly a wonderfully crafted collection that deserves to be on everyone’s Switch. It contains every possible version of Darius you might have encountered on the arcades and then sprinkled some top notch features that make it stand on a class of its own when it comes to ports. It also helps that the Darius games remain to be as fun as they always have been, even with their caveats. I took 3-4 times more time to play this collection, not because it had a lot of content, but because I loved playing every second of it and wanted to try it all. Wanted to 1CC every version, wanted to traverse every possible stage, wanted to created masterful replays. The only possible downside I can see to this collection is the price. $44.99 is a very high price compared to other shmups on the market. In terms of features and overall content (because remember, every game has more than an alphabets worth of different zones) it does warrant its price. Although I can see people double guess their decision, with this game being close to the cost of a first party title and significantly higher than other shmups. TOP 3 My tentative placement for Darius Cozmic Collection Arcade was on the top 3 spots. I really had a hard time deciding where to put it, so I went back and revisited both Ikaruga and Psyvariar Delta. After finishing my Ikaruga play through, I was reminded of the magic that is Ikaruga and how special it is. Psyvariar Delta also reminded me of the buzz system and how the refined gameplay and level ups work towards creating an experience that I can’t quite put into words. The main defining factor, however, was that I don’t think any of the Darius games in the collection beats the top 2 contenders. The 7 games as an aggregate, are certainly a force to be reckoned with thanks to the superb M2 porting labour. With that being said, I will award it a 3rd spot because the gameplay experience is incredible, but a little held back by the age of the games and the hefty price tag. Still, Darius will always be #1 in my heart. THE RANKING SO FAR:
20 Point and Click Games You Should Play Right Now!
1.Monkey Island 2: LeChuck's Revenge Monkey Island 2 follows Guybrush's continuing adventures some time after defeating the Ghost Pirate LeChuck. His arrival on Scabb Island was in pursuit of the legendary treasure of Big Whoop.LeChuck's Revenge plays like most SCUMM-based point-and-click adventure games. Actions and dialogues are depicted on an Animation Window which covers the top of the screen; verbal commands are listed in the lower left-hand corner of the screen, while Inventory items are shown as icons on the lower right-hand corner. A Sentence Line is located below the Animation Window and serves in describing the actions of the player.The game was one of the few adventure games that offered the player a choice in levels of puzzle difficulty. In some versions, before starting the game, the player is prompted to choose between regular version and "Monkey 2 Lite", a relatively stripped-down experience that bypasses many puzzles entirely. On the back of the game's packaging it is (jokingly) stated that this mode is intended for video-game reviewers. 2.Day of the Tentacle The game, a loose sequel to Maniac Mansion, is focused on Bernard Bernoulli — the only one of the three playable characters that was featured in the first game — and his friends Laverne and Hoagie, as they help Dr. Fred Edison using a time machine to prevent Purple Tentacle from taking over the world. The game utilizes time travel and the effects of changing history as part of the many puzzles to be solved in the game. Day of the Tentacle follows the point-and-click two-dimensional adventure game formula, first established by the original Maniac Mansion. Players direct the controllable characters around the game world by clicking with the computer mouse. To interact with the game world, players choose from a set of nine commands arrayed on the screen (such as "pick up", "use", or "talk to") and then on an object in the world. This was the last SCUMM game to use the original interface of having the bottom of the screen being taken up by a verb selection and inventory; starting with the next game to use the SCUMM engine, Sam & Max Hit the Road, the engine was modified to scroll through a more concise list of verbs with the right mouse button and having the inventory on a separate screen.Day of the Tentacle uses time travel extensively; early in the game, the three main protagonists are separated across time by the effects of a faulty time machine. The player, after completing certain puzzles, can then freely switch between these characters, interacting with the game's world in the separate time periods. Certain small inventory items can be shared by placing the item into the "Chron-o-Johns", modified portable toilets that instantly transport objects to one of the other time periods, while other items are shared by simply leaving the item in a past time period to be picked up by a character in a future period. Changes made to a past time period will affect a future one, and many of the game's puzzles are based on the effect of time travel, aging of certain items, and alterations of the time stream. For example, one puzzle requires the player, while in the future era where Purple Tentacle has succeeded, to send a medical chart of a Tentacle back to the past, having it used as the design of the American flag, then collecting one such flag in the future to be used as a Tentacle disguise to allow that character to roam freely.The whole original Maniac Mansion game can be played on a computer resembling a Commodore 64 inside the Day of the Tentacle game; this practice has since been repeated by other game developers, but at the time of Day of the Tentacle's release, it was unprecedented. 3.The Secret of Monkey Island It takes place in a fantastical version of the Caribbean during the age of piracy. The player assumes the role of Guybrush Threepwood, a young man who dreams of becoming a pirate and explores fictional islands while solving puzzles. The Secret of Monkey Island is a 2D adventure game played from a third-person perspective. Via a point-and-click interface, the player guides protagonist Guybrush Threepwood through the game's world and interacts with the environment by selecting from twelve verb commands (nine in newer versions) such as "talk to" for communicating with characters and "pick up" for collecting items between commands and the world's objects in order to successfully solve puzzles and thus progress in the game. While conversing with other characters, the player may choose between topics for discussion that are listed in a dialog tree; the game is one of the first to incorporate such a system. The in-game action is frequently interrupted by cutscenes. Like other LucasArts adventure games, The Secret of Monkey Island features a design philosophy that makes the player character's death nearly impossible (Guybrush does drown if he stays underwater for more than ten minutes). 4.Loom Loom is based on a serious and complex fantasy story. With its experimental interface, it eschewed the traditional paradigm of graphical adventures, where puzzles usually involve interactions between the game character, the environment, and items the character has in their possession. Loom's gameplay centers instead around magical four-note tunes known as "drafts" that the protagonist, Bobbin Threadbare, can play on his distaff. Each draft is a spell that has an effect of a certain type, such as "Opening" or "Night Vision." Some drafts can be reversed by playing their notes backwards, so the "Dye" draft played backwards becomes "Bleach," while others, such as the "Terror" draft, are palindromes (e.g. C–E–E–C) and so cannot be reversed in this manner. Bobbin can learn drafts by observing an object that possesses the qualities of the desired draft; for example, by examining a blade while it is being sharpened, Bobbin can learn the "Sharpening" draft. When the game begins, Bobbin is only able to play drafts using the notes C, D and E, limiting his ability to reproduce more powerful drafts. As the game progresses and additional notes become available, so his ability to play new drafts increases. The game can be played at three difficulty levels, each differing in how clearly the notes being played are labeled. For example, the "Standard" level indicates the notes on a scale below the distaff, while the "Expert" level shows no notes and must be played by ear. In the original release, expert players are rewarded with a cutscene that does not appear for the other two difficulties. The later CD-ROM release, however, shows an abridged version of this scene to all players. 5.Beneath a Steel Sky Beneath a Steel Sky is a 2D adventure game played from a third-person perspective. The player uses a point-and-click interface to interact with the environment and to guide protagonist Robert Foster through the game's world. To solve puzzles and progress in the game, the player collects items that may be combined with one another, used on the environment, or given to non-player characters (NPCs).The protagonist converses with NPCs via dialogue trees to learn about the game's puzzles and plot.Clues and other information are obtained by clicking on items in the inventory and on objects in the environment.Unlike in most adventure games at the time, the protagonist's death is possible, after which the player starts from the last save point.The player controls a character called Rob Foster. Rob was rescued by a tribe of bandits as a child after he was found as the only surviving member of a helicopter crash, on which his mother was also a passenger. He is raised by the tribe and comes to look upon them as his family, learning skills such as hunting and building himself a robot from discarded scraps found in local garbage dumps. They inhabit a barren wasteland known as "The Gap", a deserted area that was once part of the Australian outback, a harsh place where daily survival is a struggle. 6. Indiana Jones and the Last Crusade: The Graphic Adventure Last Crusade was one of the most innovative of the LucasArts adventures. It expanded on LucasArts' traditional adventure game structure by including a flexible point system—the IQ score, or "Indy Quotient"—and by allowing the game to be completed in several different ways.The point system was similar to that of Sierra's adventure games, however when the game was restarted or restored, the total IQ of the previous game was retained. The only way to reach the maximum IQ of 800 was by finding alternative solutions to puzzles, such as fighting a guard instead of avoiding him.This countered one common criticism of adventures games, whereby since there is only one way to finish the game, they have no replay value.Also, the point system helped the game to appeal to a variety of player types. Some of the alternative fights, such as the one with the Zeppelin attendant, were very difficult to pass, so the maximum IQ was very difficult to achieve. 7.Indiana Jones and the Fate of Atlantis The plot is set in the fictional Indiana Jones universe and revolves around the eponymous protagonist's global search for the legendary sunken city of Atlantis. Sophia Hapgood, an old co-worker of Indiana Jones who gave up her archaeological career to become a psychic, supports him along the journey. The two partners are pursued by the Nazis who seek to use the power of Atlantis for warfare, and serve as the adventure's antagonists.Fate of Atlantis is based on the SCUMM story system by Ron Gilbert, Aric Wilmunder, Brad P. Taylor, and Vince Lee, thus employing similar gameplay to other point-and-click adventures developed by LucasArts in the 1980s and 1990s.The player explores the game's static environments while interacting with sprite-based characters and objects; they may use the pointer to construct and give commands with a number of predetermined verbs such as "Pick up", "Use" and "Talk to".Conversations with non-playable characters unfold in a series of selectable questions and answers.Early on, the player is given the choice between three different game modes, each with unique cutscenes, puzzles to solve and locations to visit: the Team Path, the Wits Path, and the Fists Path.In the Team Path, protagonist Indiana Jones is joined by his partner Sophia Hapgood who will provide support throughout the game.The Wits Path features an abundance of complex puzzles, while the Fists Path focuses heavily on action sequences and fist fighting, the latter of which is completely optional in the other two modes.Atypical for LucasArts titles, it is possible for the player character to die at certain points in the game, though dangerous situations were designed to be easily recognizable.A score system, the Indy Quotient Points, keeps track of the puzzles solved, the obstacles overcome and the important objects found. 8.Gabriel Knight: Sins of the Fathers Sins of the Fathers follows the eponymous Gabriel Knight, owner of a rare book store, and fledgling writer, as he investigates a series of local murders he plans to use as the basis for his new novel.Its story unfolds, mostly linearly, over a sequence of "days", each of which has a required set of actions which must be performed before proceeding to the next day. However, within each day, play may be nonlinear. Throughout the game, a running score is kept as new challenges, both required and optional, are completed.Unlike newer graphical adventure games using context-sensitive cursors that change based on what the cursor is hovering over, Sins of the Fathers uses "dumb icons" or "dumb cursors" so that the correct cursor must be chosen for a specific interaction with an on- screen object. The various cursors are accessed by either selecting the respective icon from the "icon bar" or by cycling through the cursors in a predefined order. The available cursors are: "WALK", "LOOK", "ASK", "TALK", "PICKUP", "OPEN/CLOSE", "OPERATE", and "MOVE". Inventory items can also be used as cursors with the active inventory item also available in the cursor cycle.Also located on the "icon bar" are the "INVENTORY" and "RECORDER" buttons, the active inventory item window, score, and the "CONTROLS" and "HELP" buttons. Clicking on the "INVENTORY" button will open the inventory window, where items can be selected and combined as well as cursor icons that allow the player to use "READ", "OPEN", and "LOOK" commands with any inventory item.The "ASK" and "TALK" cursors differ in their functions. The "TALK" cursor functions as a short, general, interaction with most characters. The "ASK" cursor is available in "interrogation mode" and is only available with main characters. Interrogation mode allows the player to ask the main characters questions by clicking on a topic from the displayed list. Global Topics may be asked of any character and are always present in the lists, while specific topics are unique to each character and are subject to change. Past conversations are accessible through the "RECORDER" button which opens a recorder tapes window that displays tapes for each of the main characters.At certain points during the game, the player is required to translate and send Drum Codes and Voodoo Codes. This is done by either selecting the correct character for the Voodoo code or by selecting the correct sequence for the drum code. 9.Full Throttle Set in the near future, the game's story follows Ben, the leader of a biker gang, who is framed for the murder of a beloved motorcycle manufacturing mogul and seeks to clear his and his gang's names. Players can move the player character to any place on the scene, interact with objects that are highlighted by the cursor, or leave scenes via exits - either on foot for most scenes, or via the character's motorbike, both types denoted by their own icon. As with other LucasArts graphic adventure games of the era, dialogue plays a large part in the game, presenting story elements and information necessary to advance, as well as fleshing out the characters. During conversations with other characters, several choices of dialogue are presented. The currently selected choice is highlighted, and once clicked, the player character responds with the selected choice. Choosing the correct response allows the player to advance the conversation and ultimately advance the scene.Following on from LucasArts' previous graphic adventure, Sam & Max Hit the Road (1993), which introduced a new inventory and interaction system to replace those of their prior games,Full Throttle continued to refine on the changes introduced in Sam & Max Hit the Road: Objects or characters with which Ben can interact are indicated by a red square appearing around the cursor's crosshairs when it is placed over the object. When this occurs, holding down the control on this causes a contextual pie menu to appear - designed upon the emblem of Ben's biker gang: a flaming circle topped by a skull and flanked by a boot and a gloved hand. The player hovers the cursor over elements of the emblem and then releases the mouse button to attempt various interactions with the object; for example, selecting the skull's mouth to speak to a character, its eyes to examine an object, or the hand to pick up, use, or pull the object. Right-clicking anywhere on the screen brings up the player's inventory of collected objects, which can be examined or dragged and dropped in order to use them with other items in the inventory, or with objects or characters in the scene. 10.Sam & Max Hit the Road Based on the 1989 Sam & Max comic On the Road, the duo take the case of a missing bigfoot from a nearby carnival, traveling to many Americana tourist sites to solve the mystery. The player uses Sam to explore the pre-rendered cartoon environments of the game and solve a series of puzzles using a simple point-and-click interface.The game's puzzles have logical solutions, although a number of them have far-fetched solutions due to the game's cartoon setting. Players can set the game's cursor in a particular mode to designate how Sam interacts with the environment: Sam can walk around an area, talk to other characters, look at objects, pick them up or otherwise try to use them.The cursor's graphic changes when it is hovered over an in-game entity that Sam can interact with. When talking to another character, the player is given a choice of subject areas to discuss, depicted in a conversation tree as icons at the base of the screen. In addition to specific topics involving the game's plot, Sam can inject unconnected exclamations, questions and non sequiturs into a conversation.The game incorporates an inventory system for items that Sam picks up during the course of the game. Items can be used on other entities in the game world, or can often be combined with other inventory items to provide a new object necessary for solving a puzzle. Although Max's character will walk around the game's areas by his own will, Sam can also use Max at various points by using an inventory icon of Max's head on game objects—usually on characters where the solution to a problem involves violence.Sam and Max travel to different locations in the game using their black and white 1960 DeSoto Adventurer, which when clicked on in-game will present a map of the United States with all the available locations the pair can travel to shown. As the game progresses, the number of locations on the map increases.In addition to the main game, Sam & Max Hit the Road includes several minigames. Some of these, such as a carnival game based on Whac-A-Mole but involving live rats, must be completed in order to receive new items and further the game's plot, while others, such as a car-themed version of Battleship, are entirely optional as to whether the player uses them.As with the majority of LucasArts adventure games, Sam & Max Hit the Road is designed so that the player characters cannot die or reach a complete dead-end. 11.Simon the Sorcerer The game follows a boy named Simon, who is transported to a parallel universe to embark on a mission to rescue a wizard called Calypso from an evil sorcerer named Sordid. As a point-and-click adventure game, the player controls Simon using the mouse.Gameplay involves moving Simon around and interacting with objects and other characters. The player can make Simon perform actions such as giving an item to another character, talk to another character, and pick up (add to inventory), examine, use, move, consume, wear, or open or close an item. Some actions are binary: they involve two objects and the player sometimes, after telling Simon to use an item, needs to specify what to use it with.A map that enables Simon to instantly transport to a major landmark (if it has been discovered) is provided.The postcard is used to load, save, or quit the game.The game includes parodies of various popular books and fairy tales, including Rapunzel, The Lord of the Rings, Discworld, The Chronicles of Narnia, Jack and the Beanstalk, and the Three Billy Goats Gruff. 12.Simon the Sorcerer II: The Lion, the Wizard and the Wardrobe The Evil wizard Sordid is brought back to life when a magic-book of his is set ablaze and thrown into the middle of a chalkboard pentagram by the father of Runt, a young boy wanting to become a mighty sorcerer. Sordid promises him that he can become his apprentice if he helps him exact his vengeance on Simon.Several months later, Sordid's Fortress of Doom is reconstructed and Sordid has a new robotic body. He sends a magical wardrobe to fetch Simon but it accidentally ends up on the doorstep of Calypso, the wizard Simon had to save in the last game. Simon then starts to look for a fuel called mucusade which he needs to power the wardrobe in order to get home. 13.Flight of the Amazon Queen Flight of the Amazon Queen is a point and click graphic adventure game. It follows a pilot for hire named Joe King who is hired to fly a famous actress to her next job, but ends up in a lightning storm and crashes deep in the Amazon Jungle. In the jungle, Joe uncovers a plot by a mad scientist to take over the world by creating an army of dinosaur women created from Amazon women. 14. Dark Seed Unlike most point-and-click adventure games, which give the player time to explore, many actions in Dark Seed must occur within precise time limits, or the game will end up in an unwinnable state. As a result of this, one must start over repeatedly to win without resorting to a walkthrough. Amiga Format, in its review, stated with regards to Darkseed's gameplay: "Too many things in the game need to be done within a specific time, or in a certain order, and you don't necessarily know when you've passed that 'critical point' after which you're fighting a lost cause. As a result, you often have to play the game several times over, going through scenes you've seen countless times before." Certain events/puzzles rely on the player dying and then learning from there what to do: for instance, on day two, police wait outside Dawson's house in the afternoon to arrest him if he steps outside the front door, with no clue as to their presence until it's too late, resulting in a game over. Similarly, the player must take a painkiller each morning in the bathroom or the protagonist continually complains about a headache after every line of dialogue; there is no hint or indication to do this.The player has three real time hours within which they must complete the game, which is the equivalent of three in-game days. Time can also be passed by using the in-game wait function, and the time can be checked by looking at Dawson's watch, or by inspecting the grandfather clock in the house. At the end of each day, Dawson goes to sleep and upon going to bed, each night he has a nightmare of the Dark World. Dawson automatically goes to sleep at ten P.M. each night, regardless of where the player is. If it becomes night while Dawson is in the Dark World, he will fall asleep and die, resulting in a game over. Dawson is able to access the Dark World on day two upon receiving a piece of a mirror in the mail and re-assembling it with the rest of the mirror, creating a portal to the Dark World. Every room, person and object in the normal world has a Dark World equivalent and this is often necessary for puzzle solving.When interacting with objects, the options available to the player include look/inquire, touch/manipulate, and move, denoted by a "?", a hand, and four arrows pointing inwards respectively. Looking at an object and manipulating an object are context-sensitive: the "?" becomes a "!" when the cursor is over items or areas of interest and the hand icon points upwards when the cursor is over items that can be picked up or manipulated. 15.The Dig In the game, the player takes the role of Commander Boston Low, part of a five-man team planting explosives on an asteroid in order to avert its collision course with Earth. Discovering the asteroid is hollow, Low and two of his team are transported to a long-abandoned complex, filled with advanced technology, on a strange alien world. Low and his companions must utilize xenoarchaeology to learn how the technology works, discover the fate of the alien race that built it, and solve other mysteries to find a way to return home. The Dig is a point-and-click adventure game, where the player, as Commander Boston Low, uses the mouse cursor to point to people, objects, and other parts of the environment to look at or interact with them, collect and use items in their inventory, and talk to non-player characters. The game runs on the SCUMM game engine, and was the eleventh LucasArts game to do so. A minigame can be found on the communicator menu, consisting of "Asteroid Lander", a Lunar Lander like game. During development, there were plans to include role-playing game elements, but these were scrapped before the game's release. 16.Maniac Mansion It follows teenage protagonist Dave Miller as he attempts to rescue his girlfriend Sandy Pantz from a mad scientist, whose mind has been enslaved by a sentient meteor. Maniac Mansion is a graphic adventure game in which the player uses a point-and-click interface to guide characters through a two-dimensional game world and to solve puzzles. Fifteen action commands, such as "Walk To" and "Unlock", may be selected by the player from a menu on the screen's lower half. The player starts the game by choosing two out of six characters to accompany protagonist Dave Miller: Bernard, Jeff, Michael, Razor, Syd, and Wendy. Each character possesses unique abilities: for example, Syd and Razor can play musical instruments, while Bernard can repair appliances. The game may be completed with any combination of characters; but, since many puzzles are solvable only by certain characters, different paths must be taken based on the group's composition. Maniac Mansion features cutscenes, a word coined by Ron Gilbert, that interrupt gameplay to advance the story and inform the player about offscreen events.The game takes place in the mansion of the fictional Edison family: Dr. Fred, a mad scientist; Nurse Edna, his wife; and their son Weird Ed. Living with the Edisons are two large, disembodied tentacles, one purple and the other green. The intro sequence shows that a sentient meteor crashed near the mansion twenty years earlier; it brainwashed the Edisons and directed Dr. Fred to obtain human brains for use in experiments. The game begins as Dave Miller prepares to enter the mansion to rescue his girlfriend, Sandy Pantz, who had been kidnapped by Dr. Fred. With the exception of the green tentacle, the mansion's inhabitants are hostile, and will throw the player characters into the dungeon—or, in some situations, kill them—if they see them. When a character dies, the player must choose a replacement from the unselected characters; and the game ends if all characters are killed. Maniac Mansion has five possible endings, based on which characters are chosen, which survive, and what the characters accomplish. 17.The Lost Files of Sherlock Holmes: The Case of the Serrated Scalpel In November 1888, Sherlock Holmes is engaged by Inspector Lestrade of Scotland Yard to help with the murder investigation of a young actress, Sarah Carroway. She was killed outside a theatre in the Mayfair area of London. Lestrade thinks the manner of her death shows that this is another strike by Jack the Ripper, but Holmes believes someone else committed the crime. It appears that the victim was killed with an unusual knife, one shaped like a scalpel but with a serrated blade.The investigation takes Holmes and Dr. Watson to many parts of late 19th Century London, including a perfume shop, the zoological gardens, the morgue, a pub, several dwellings, Surrey Commercial Dock, Savoy Street Pier, St Pancras Station, and of course 221B Baker Street. They encounter a number of characters connected to the case and also get assistance from Inspector Gregson, the leader of the Baker Street Irregulars named Wiggins, and the invaluable tracking dog Toby. The player moves around London via an elaborate overview map. Additional locations become available when Holmes finds additional leads. In each location, the player can select nine different verbal options to interact with objects or people. When accessing the inventory menu, the player has three different verbal actions to manipulate any items Holmes has picked up. When talking to people, Holmes has different dialogue options to gain information or try to get their cooperation. Dr. Watson can give his views, which may serve as puzzle hints. He may even help Holmes to perform an action he cannot do alone. Dr. Watson's journal also references the events in the gameplay.The graphics are VGA, with MIDI music and a few scenes with digitalized speech (in the intro and end sequence, and the cutscene at St Pancras Station. In the other scenes there are sound effects, but no speech). The player interacts with the characters through a command menu with verb icons that is intuitive for anyone who had played other adventure games of the period. The 3DO version consists of full voiced dialogue and the portraits of the talkers were replaced by clips with filmed actors, but also drops Dr. Watson's journal feature.In the video clips in the 3DO version, Sherlock Holmes was played by David Ian Davies, and Dr. Watson was played by Laurie Main. 18.Zak McKracken and the Alien Mindbenders The story is set in 1997, 9 years after the game's production. The plot follows Zak (full name Francis Zachary McKracken), a writer for the National Inquisitor, a tabloid newspaper (the name is a thinly veiled allusion to the National Enquirer); Annie Larris, a freelance scientist; along with Melissa China and Leslie Bennett, two Yale University coed students, in their attempt to prevent the nefarious alien Caponians (who have taken over "The Phone Company", an amalgamation of various telecommunication companies around the world) from slowly reducing the intelligence of everybody on Earth by emitting a 60 Hz "hum" from their "Mind Bending Machine". The Skolarians, another ancient alien race, have left a defense mechanism hanging around to repulse the Caponians (the "Skolarian Device"), which needs reassembly and start-up. Unfortunately, the parts are spread all over Earth and Mars. 19.The Curse of Monkey Island The game's story centers on Guybrush Threepwood, a wannabe pirate who must lift a curse from his love Elaine Marley. As the story progresses, he must deal with a band of mysterious pirates, a rival stereotypical French buccaneer, a band of cutthroat smugglers, as well as his old nemesis Captain LeChuck. The Curse of Monkey Island is a point-and-click adventure game. The SCUMM engine was also used in this Monkey Island installment but it was upgraded to a "verb coin" (modelled after Full Throttle), an interface that consisted in a coin-shaped menu with three icons: a hand, a skull, and a parrot, basically representing actions related to hands, eyes and mouth, respectively. These icons implied the actions Guybrush would perform with an object. The hand icon would usually mean actions such as picking something up, operating a mechanism or hitting someone, the skull icon was most used for examining or looking at objects and the parrot icon was used to issue Guybrush commands such as talking to someone or opening a bottle with his teeth. The inventory and actions were thus visible on click, rather than on the bottom of the screen as previous point-and-click games by Lucasarts.The player controlled a white 'X' cursor with the mouse, that turned red whenever landing onto an object (or person) with which Guybrush could interact. Holding left click over an object, whether in or outside the inventory, would bring up the coin menu, while right clicking it would perform the most obvious action with this particular object. Right clicking a door, for example, made Guybrush attempt to open it, while right clicking a person meant talking to him or her. 20.Grim Fandango Grim Fandango takes place in the Land of the Dead (the Eighth Underworld), where recently departed souls aim to make their way to the Land of Eternal Rest (the Ninth Underworld) on the Four Year Journey of the Soul. Good deeds in life are rewarded by access to better travel packages to assist in making the journey (such as sports cars and luxury ocean cruises), the best of which is the Number Nine, an express train that takes four minutes to reach the gate to the Ninth Underworld. However, souls who did not lead a kind life are left to travel through the Land of the Dead on foot, which would take around four years. Such souls often lose faith in the existence of the Ninth Underworld and instead find jobs in the Land of the Dead. The travel agents of the Department of Death act as the Grim Reaper to escort the souls from the Land of the Living to the Land of the Dead, and then determine which mode of transport the soul has merited. Each year on the Day of the Dead, these souls are allowed to visit their families in the Land of the Living.The souls in the Land of the Dead appear as skeletal calaca figures. Alongside them are demons that have been summoned to help with the more mundane tasks of day-to-day life, such as vehicle maintenance and even drink service. The souls themselves can suffer death-within-death by being "sprouted", the result of being shot with "sproutella"-filled darts that cause flowers to grow out through the bones. Many of the characters are Mexican and occasional Spanish words are interspersed into the English dialogue, resulting in Spanglish. Many of the characters smoke, following a film noir tradition; the manual asks players to consider that every smoker in the game is dead. Grim Fandango is an adventure game, in which the player controls Manuel "Manny" Calavera (calavera being Spanish for 'skull') as he follows Mercedes "Meche" Colomar in the Underworld. The game uses the GrimE engine, pre-rendering static backgrounds from 3D models, while the main objects and characters are animated in 3D. Additionally, cutscenes in the game have also been pre-rendered in 3D. The player controls Manny's movements and actions with a keyboard, a joystick, or a gamepad. The remastered edition allows control via a mouse as well. Manny must collect objects that can be used with either other collectible objects, parts of the scenery, or with other people in the Land of the Dead in order to solve puzzles and progress in the game. The game lacks any type of HUD. Unlike the earlier 2D LucasArts games, the player is informed of objects or persons of interest not by text floating on the screen when the player passes a cursor over them, but instead by the fact that Manny will turn his head towards that object or person as he walks by. The player reviews the inventory of items that Manny has collected by watching him pull each item in and out of his coat jacket. Manny can engage in dialogue with other characters through conversation trees to gain hints of what needs to be done to solve the puzzles or to progress the plot. As in most LucasArts adventure games, the player can never die or otherwise get into a no-win situation (that prevents completion of the game).
This FAQ represents Q&A's over the last few days here. Fellow redditor u/iterateandgit was so kind to help me putting this document together. Big shout out to him please! The FAQ will be further extended over the coming days and weeks. Please keep the questions coming!
Sales, Shipping, Warranty
Q: Are you going to sell this on Amazon in the EU? A: We are working on getting the product up and running on Amazon. But our own BTO shop at www.bestware.com will always be our primary sales channel and will be the only one where you can customize and configure memory, storage, OS, extend your warranty and pick other options. Q: Do you offer student discounts or other sales compaigns like black friday? A: In general, we don't offer student discounts. Sales campaigns are planned just in time, depending on stock level and cannot be announced early. If you want to keep up to date about sales campaigns, please subscribe to our newsletter. Q: Do you ship to the UK? Can I pay in GBP? A: We ship to the UK - the pricing will be in EUR, so your bank will do the conversion. Warranty services will be available from UK, shipping to Germany. Currently, in the single markets, these resturn shipments are free for the end-user. In the worst case there might be additional customs fees for shipping. Q: What warranty options do you offer? A: All our laptops come with 2 year warranty. Warranty repairs in the first 6 months are promised to be done within 48 hours (+shipping). Both the "instant repair" service and the warranty itself can be extended to up to 3 years. Q: Do you sell outside of Europe? A: We are able to ship anywhere, but warranty for customers outside the region would always involve additional customs cost and paperwork for sending the laptop back to Germany in the rare event of an RMA. There is currently no agreement to let other Local OEMs (like Eluktronics in the US) carry the warranty for XMG customers and vice-versa. Some parts are customized (in our case the LCD lid and the keyboard) and it won't be easy to agree on how to share handling fees etc. - so I wouldn't expect a global warranty anytime soon.
Hardware, Specs, Thermals
Q: What is the difference between XMG FUSION 15 and other laptops based on Intel's reference design? A: The hardware of the barebone will be identical. Other Local OEMs might use different parts for RAM and SSDs. Our branding and service/warranty options might be different. We apply our own set of performance profiles in the Control Center. This will rebalance the differentiation between Silent, Balanced and Enthusiast modes. Q: What is the TGP of the NVIDIA RTX 2070 Max-Q? A: Officially, it is 80W in Balanced profile and 90W in Enthusiast profile. You can toggle between these modes in real-time with a dedicated mode switch button. Inofficially, the TGP can go up to 115W in Enthusiast profile thanks to the Overboost mechanic, working in the background. However, those 115W may only be sustained until the system has reached thermal saturation, i.e. when the GPU is approaching the GPU Temperature Target of 75°C. Q: Can I upgrade the storage and memory after I buy? A: On storage: The laptop has two m.2 PCI-Express SSD slots. This will give you currently up to 4 TB of SSD storage. There is no 2.5" HDD slot available. Instead, the battery is enlarged to 93.48Wh. You can see pictures of the interior layouts here, here and here. On memory: the laptop has two SO-DIMM DDR4 memory sockets. You can chose during BTO configuration, if you want to occupy both of them when you order the product. We recommend running the laptop in Dual Channel for high-performance usage. Q: How easy is to upgrade and repair this laptop? A: Here are the key facts:
Only 10 chassis screws on the bottom plate.
All chassis screws are identical size and length. (no risk of mixing them up during re-assembly)
All chassis screws are directly exposed, not behind any rubber feet.
No "warranty void if seal is broken" stickers.
Bottom case can be removed very easily without any prying opening tools.
Keyboard does not need to be removed to access internals.
m.2 screws are already in their socket.
Battery is attached with screws, not glued.
Fans can be cleaned and (if needed) replaced without removing the heatpipes.
We would give this a solid 8 out of 10 which is pretty high for such a thin&light design. The 2 remaining points are substracted for BGA CPU and GPU, which is unfortunately unavoidable in such a thin design. Q: Does it support Windows Hello? A: A Fingerprint-Reader is not available, but the HD webcam comes with Infrared and supports Windows Hello. Q: Can I get a smaller, lighter charger for this laptop? A: XMG FUSION 15 requires a 230W power adaptor to provide full performance. If you max out CPU and GPU with furmark and prime, the 230W adapter will be fully utilized. There are currently two compatible 230W adapters. They have different dimensions but similar weight. Please refer to this comparison table: XMG FUSION 15 Power Supply Comparsion Table (Google Drive) Includes shop links. Will be updated with precise weight numbers in the next few days. I also included 120W, 150W and 180W in this table. They all share the same plug (5.5/2.5,, diameter, 12.5mm length). But 120W and 150W are only rated for 19V but the laptop expect 19.5V. Usually this will be compensated by tolerance but we haven't tested how a system would behave under long-term usage with such an adaptor. In theory, 120W to 180W are enough for charing the laptop and for browsing/web/media. Even a full CPU stress test could easily be handled. But as soon as you use CPU and GPU together, you'll run into the bottleneck and your performance will be reduced. Comparison pictures:
These 5 pictures show only the relevant 230W chargers.
Top: 230W Chicony A17-230P1A for XMG NEO.
Bottom: 230W FSP230-AJAN3 from XMG FUSION 15 (Intel Original)
Again, the weight is about the same. Q: Is it possible to boot and run the laptop while the lid is kept closed? A: Closing the lid under load is not recommended because it will limit the airflow and have a bad effect on keyboard and screen. The laptop likes to take air in from the keycaps. With lid closed, the performance might be limited due to reaching temp targets earlier. Q: Can I get the laptop without the XMG logo? I will be using it in public presentations and I would not like any brand names visible. A: We cannot ship without XMG logo, but you can use a dbrand skins to cover our logo. We have not yet decided if we want to invest into integrating XMG FUSION 15 into the dbrand shop. But you can already buy 100% compatible skins by using the page of the Eluktronics MAG-15 at dbrand. The chassis dimensions are exactly the same. Please be aware: you have to manually select the option "No Logo Cutout" if you want to buy these skins for your XMG FUSION 15. According to dbrand, there will be most likely no import fees when ordering from the EU as long as the order is below 100€. Check this thread for details. Q: Will you offer thermal paste upgrades like Thermal Grizzly Kryonaut or Liquid Metal? A: Our ODMs are using silicon-based, high-performance thermal compund from international manufacturers like Shin-Etsu (Japan) and M.G. (USA). Intel is using MG-860 in this reference design. These products are used in the industrial sector, so they have no publicly known brand name. Nevertheless, their high thermal conductivity and guaranteed durability provide optimal and long-lasting cooling of your high-performance laptop. The thermal compounds are applied and sealed automatically by the vendor of the thermal components. They are applied in a highly controlled, standardized manner and provide the best balance of thermal performance, production tolerance and product lifetime. We are considering offering an upgrade to Thermal Grizzly Kryonaut due to popular demand. Will keep you posted on that. Q: Could you please provide an estimate for how much regular usage (~10 browser tabs + some IDE) battery backup would this have? Will there be any way to trade-off battery backup with performance? A: Battery life vs. peak performance can be traded off by using the "Silent" performance profile. You can switch between profiles using a dedicated button on the machine. Your scenario (10 tabs + some IDE) sounds like mostly reading and writing. I would estimate to get at least 7 hours of solid battery life in such a scenario, maybe more. We have achieved 8 hours in 1080p Youtube streaming on WiFi with 50% screen brightness. Adblock and NoScript helps to keep your idle browser tabs in check.
I/O Ports, Peripherals
Q: Why are there not more USB-A 3.1 Gen2 or even USB 3.2 Gen2x2 ports? A: USB-A 3.1 Gen1 is basically the same as USB 3.0. There aren't a lot of USB-A devices that support more than USB 3.0 speed. Faster devices typically use USB-C connectors and can be used on Thunderbolt 3, which is down-compatible to USB-C 3.1 Gen2. One of the USB-A ports actually supports Gen2 speed. For the following remarks, please keep in mind that I am not an Intel rep, so everything is based on our own experience. The mainboard design and the I/O port decisions have been made by Intel. Feedback and requests from LOEM customers have been taken into consideration. We would assume that USB 3.2. Gen2x2 (20 Gbit/s) was not considered to be important enough to safe space for 3rd party IC (integrated circuits) on the motherboard. Right now, all the USB ports and Thunderbolts are supplied by Intel's own IC, so they have full control over the hardware, firmware and driver stack and over power saving and performance control. The more IC you add, the higher your Idle power consumption will be, plus adding potential compatibility or speed issues as it often happens with 1st generation 3rd party USB implementations. I very well remember from my own experience the support stories during the first years of USB 3.0, before it was supported in the Intel chipset. On the one hand, Intel is aiming high in terms of performance and convenience, on the other hand: support and reliability still seem to be Intel's goal #1. Thus they seem to play it safe where they deem it to be reasonable. Intel is gearing up for USB 4.0 and next-gen Thunderbolt. USB 3.2 2x2 is probably treated as little more than a roadmap accident. Peripheral vendors might see it the same way. Q: Do you support charging over USB-C/Thunderbolt? Does it support docking stations? A: The Thunderbolt 3 port in Intel's reference design does not support charging. As you probably know, the 100W limit would not be enough to power the whole system and it would make the mainboard more complex to combine two different ways of charging. Intel consciously opted against it and will probably do so again on future high-end gaming/studio models. The USB-C/Thunderbolt port supports Dual-Link DisplayPort signals, directly connected to the NVIDIA Graphics. This makes proper docking station usage very convenient. The user still needs to connect the external power adaptor. Both ports (Thunderbolt and DC-in) are in the back of the laptop, making the whole setup appear very neat on the desk. Q: How many PCIe lanes does the Thunderbolt 3 provide? Are they connected to CPU or Chipset? A: XMG FUSION 15 supports Thunderbolt 3 with 4 lanes of PCIe 3.0. The lanes come from the chipset because all of the CPU lanes (x16) are fully occupied by the dedicated NVIDIA graphics. We are not aware of any side-effects of running Thunderbolt from the chipset. It is common practice for high-end laptops with high-end graphics. The Thunderbolt solution is of course fully validated and certified by Intel's Thunderbolt labs. Q: Does it have a standby USB to power USB devices without turning on the laptop? A: Yes, the USB-A port on the left side supports this feature.
Q: Which LCD panel is being used? Are there plans for 1440p or 4K panels in the laptop? How about PWM flickering? A: The panel is BOE NV156FHM-N4G. It is currently not known if the panel will change in later batches. This depends on logistics and stock. At any rate, the panel key specs will remain the same. There are currently no plans to offer resolutions above FHD in the current generation of this laptop. There are very wide ranges on reports of Backlight Brightness PWM control on this panel in different laptops. Ranging from 200Hz to 1000Hz to no PWM at all - all on the same panel model number. Intel informs us that there are many factors (e.g. freq., display driver, BIOS settings implementation, type of dimmers & compatibility with the driver etc.) that impacts the quality of panel dimming performance. To Intel's knowledge, no kind of flickering has been reported during the validation process. Furthermore, first hands-on data from Notebookcheck indicates that no PWM occurs on this panel. With a DSLR test (multiple burst shots at 1/4000s exposure time) I can confirm that there is not a single frame of brightness dipping or black screen, not even at minimum LCD brightness. Hence, we can confirm: BOE NV156FHM-N4G in XMG FUSION 15 (with Intel) does not use PWM for backlight control. Q: Some BTO shops, for an additional fee, manually pick out display panels with the least back-light bleed. Do you offer that? Even better, do you do that without the extra fee? A: Intel has validated this design to avoid backlight bleed as much as possible. Currently no plans to do further binning. All dozens of MP samples we have seen so far have been exceptionally good. Q: I'm coming from a 13" MacBook with Retina display. How am I going to fare with this 15.6" FHD screen in content creation? A: If you got used to editing high-res visual content (photography, artwork) on your 13inch retina, things will change. On the one hand, your canvas will be larger and more convenient and ergonomic to work with. On the other hand, you will find yourself zooming in more often in order to make out fine-detail. Assuming that you have sharp 20:20 vision. As it is, the screen resolution and specs are not planned to change within the lifetime of this product. The first realistic time-window for a refresh would be whenever Intel is releasing the next "H" series CPU generation. But even then, an upgrade on resolution will not be guaranteed. Comparison:
Pixel per inch
13.3" MacBook Pro Retina (late 2013)
15.6" XMG FUSION 15 (late 2019)
To compare: 141.21 is ~62% from 226.98. This represents the the metric difference in pixel density and peak sharpness between these two models. If you know the diagonal size and resolution of your screen, you can make this comparison yourself with the DPI/PPI calculator.
Keyboard, Backlight, Switches, Layout
Q: What can you tell us about the mechanical keyboard of XMG FUSION 15? A: The keyboard has already been reviewed in our XMG NEO series as being more crisp than typical membrane keyboards. Most reviewers attested it a very good score, both for gaming and for writing long texts. The keyboard backlight can be configured per-key. Default mode is all white. Keyboard Switch Specs:
2mm travel distance
60g actuation force
1000Hz polling frequency
Rated for up to 20 million keystrokes
Having no frame around the keycaps actually helps the thermals. The fans can pull in additional air from the top. This improves airflow and helps to keep the keyboard temperature at low levels during gaming. It also prevents long-term RMA issues on the keyboard. This specific keyboard switch is already in its 3rd generation and very mature by now. Q: Is it possible to dampen the mechanical keyboard with o-rings? A: The switch design does not lend itself to further dampening. The switch mechanic is too complex and has more moving parts than cherry. The 2mm travel distance also plays a role in not allowing more dampening. For reference, please use this video (Youtube). We compared XMG NEO with another membrane-type keyboard. XMG NEO and FUSION share the same keyboard mechanics with the silent tactile switch and the same sound profile. Q: Do you have LED keyboard backlight on the secondary key function, like Fn key icons? A: Please have a look at this picture.
Taken with full keyboard backlight brightness
In totally dark room
Edited in Lightroom (reduced highlights) to reflect the way it really looks to the human eye
F10 seems to have a slightly different color temperature than F8/F9 in this picture. This is due to the angle, open aperature and chromatic abberation of my camera. In real-life, all per-key LEDs behave identically to one another.
Btw, my working sample has blank keycaps. I took the 3 printed keycaps (F8, F9, F10) from a different sample just to demonstrate the Fn lighting for this picture. Facts:
Fn modifier key is on the left between Ctrl and WinKey
the Fn function don't have seperate backlight, but they benefit from the main per-key backlight
the position of the LED is centered above the mechanical switch. That's why the upper portion of the key is brighter than the lower portion. That's why in our layout, the primary function of each key is always located at the center top.
In my assesment, the Fn function symbols are clearly visible from the backlight in a dark room. A user should have no difficulty to recognize the icon and reach its function. Q: Which keyboard layouts do you offer in the EU? A: The following layouts are available, in alphabetic order: Belgium, Czech, Danish, Dvorak German, Dvorak US, Estonia, French, German, Greek, Italian, Norwegian, Polish for Typists, Portuguese, Russia Latin, Slovakish, Spanish, Swedish / Finnish, Swiss, Turkish, UK, US International (ISO)All these layouts are based on the ISO matrix. See differences between ANSI vs. ISO here.
Q: Do you support Linux and dual-boot on XMG FUSION 15? A: We are in discussion to sell XMG FUSION 15 over Tuxedo with official Linux support. It might take 1 or 2 months to get this running. Q: Which LAN, Audio and WiFi card vendors will be used? Asking for a friend. A: From our HWiNFO64 report. (Google Drive link) LAN: RealTek Semiconductor RTL8168/8111 [PCI\VEN_10EC&DEV_8168&SUBSYS_20868086&REV_15]Audio: Intel(R) Smart Sound Technology (Intel(R) SST) Audio Controller [PCI\VEN_8086&DEV_A348&SUBSYS_20868086&REV_10]WiFi: Intel(R) Wi-Fi 6 AX200 [PCI\VEN_8086&DEV_2723&SUBSYS_00848086&REV_1A], can be replaced. For more information, please check the linked report file.
Q: What would you say are the advantages and differences with other laptops due to the fact the laptop was designed in collaboration with Intel? A: Disclaimer: I am \not* an Intel rep. The following remarks are based on my personal experience and opinion.* Advantages:
Very strict quality control on all levels. I can't quote numbers due to NDA, but Intel NUC has extremely low RMA rates, compared to average PC mainboards and systems. Intel is driven by strict internal regulation that strifes for perfection - this applies to the whole chassis, assembly and firmware, not only the mainboard. There are also certain regulations in place, for example in terms of electro-magnetic regulation and skin temperatures. The rating label is littered with regulatory seals from every region of the world, making this laptop especially safe to use.
Access to high-quality material: we have not seen any Gaming Laptops based on Magnesium alloy yet, especially not in the ODM/LOEM ecosystem. The battery cells are also much more dense than what we usually see. Intel has the buying power and the vision to not settle for mediocre parts.
Down-to-earth design: Intel has made this reference design for the ODM/LOEM eco-system. The design does not try to follow any specific corporate identity, thus it does not have any unneccessary "bling bling" like all the others have. Even the Razer Blade with it's sleek shape is quite obnoxious (iny my oppinion) with it's big backlit green snake logo. With XMG FUSION however, we can continue our typical style of "Undercover Gaming".
Security: you can expect stellar support in terms of BIOS and Firmware (TPM, Management Engine) updates whenever any security issues are found. This might also apply to global brands, but ODM/LOEM systems have not always been so quick to react. This is due to the huge fragmentation/customizations in ODM/LOEM systems. Intel however does now allow any fragmentation: every LOEM partner is getting the same firmware. There are many hooks for configurations in this firmware, but the source code / binaries are always the same. This makes support much easier down the line.
I can't name many, of course. But I would say the strict validation also makes the partnership less flexible from a product management perspective. There is no plan currently to phase-in any 4K or 300Hz screen (FHD/144Hz ought to be enough for everyone this year) or any Core i9 in this system. Other ODMs might be more open for costly modifications based on low quantities. Intel however has streamlined their production and logistics in a way that gives us (the LOEM) very short lead times and competitive pricing, but will not allow any short-notice upgrades or customizations.
Q: Will there be a 17 inch version? A: We can neither confirm nor deny plans for a 17 inch version at this point. [to be continued]
So to update you all on things, my hernia surgery went well and my intestines are back where they belong. Sadly I didn't have as much time to write as I would have liked, (pain meds will do that), but I managed to finally get chapter twelve done in time to give you all an extra dose of JVerse once you have finished our lord and savior's most recent chapter. (Story is continued in the comments) -------------------------------------------------------- <First><Previous><Next> -------------------------------------------------------- Date Point: 3 months, 2 weeks, 5 days A.V. Unnamed system Planet 4 ring system Requiem Michael Kepler "God damn I missed this," Michael said, flipping the Requiem around another asteroid, testing the limits of the inertial compensators. They had gotten lucky and found the perfect system to test out the newly retrofitted Requiem. The system in question turned out to be a binary system with some rocky bodies and a truly gorgeous blue gas giant that sported a system of ice rings that were just perfect for running the old girl through her paces. Michael gave the main thrusters all they could take, slipping through two asteroids seconds before they collided. There was a muffled cheer through the comms from the rest of the crew back onboard the Dawn. He had set up cameras all over the Requiem so his crew could watch. Right now only himself and Hephaestus were crazy enough to fly a ship built from scrap through one of the densest ring systems on record. Even Ralthin wasn't that crazy, having said that he'd rather shoot the rocks instead. They dodged, dived, and weaved their way through the belt for another half an hour before Michael got a comms ping. He angled the ship "up" and rocketed out of the belt so he could answer without having to dodge rocks. "What's up," Michael asked, angling the ship so he was cruising parallel to the rings. Goralin's face showed up on the screen, "We just synced with Haven's network, and you've got a message from Gabby." Before they had left Haven Michael had signed them up as Gabby's new security force. To keep in touch in case of an emergency Michael had purchased an FTL comms array and had set it up to sync with the local network on Haven every week. Of course, if there was an actual emergency he had spent a small fortune on a pair of quantum entangled arrays for instantaneous recall. The fact that Goralin's ears had a mischievous tilt meant that this wasn't an emergency. Meaning that it was probably the favor he had asked before they left. "Alright, prep the hangar bay. I'm gonna test the emergency recall drive," Michael said, cutting the thrusters and letting the ship coast. "Copy that Michael. Wait to jump until we give you the signal," Goralin said, closing the channel. Michael switched over to the intercom, "Sorry Hephaestus, looks like we're gonna have to cut this short." "It isss fine," Hephaestus said with the barest hint of a chuckle, "If the messsage isss from Gabby I can only think of one reassson. We are going hunting!" "Cool your jets, we still haven't heard it yet," Michael said, running the ship through the pre-jump sequence, "All set to jump?" One other little upgrade they did was to configure a jump drive onboard the Requiem so they could get back to the Dawn in a hurry. The only downside was that the hangar bay had to be depressurized so the sudden appearance of the Requiem didn't create a hull rupturing pressure wave. "All sssyssstemsss are green," Hephaestus said back through the comms, "Ready for jump." It was only a few more seconds until Michael got the comms ping signaling that the hangar bay was ready. Michael's finger hovered over the button, "Jumping in three...two...one." He pushed the button and the ship was inside the Dawn, perfectly centered in the hangar bay. The docking clamps engaged and the bay was pressurized in minutes. Michael ran through the shutdown sequence, unstrapped himself from the pilot seat and met Hephaestus in the airlock. They double-checked the atmospheric readout on the panel before opening the outer door. Even though Michael was wearing his armor and had no fear of stepping into hard vacuum, Hephaestus was basically naked, so it paid to be careful. They made their way up to the bridge, stopping by the mess to apologize for cutting the show short and so Michael could grab a quick snack. One downside of his new armor was that he burned a lot more calories than he ever did wearing his old suit. He walked the rest of the way up to the bridge with Hephaestus in tow. When he opened the door to the bridge Goralin turned around in the copilot's seat, "You enjoy yourselves," he asked with a slightly mischievous tilt to his ears. "Yeah!" Michael said enthusiastically, "and I gotta say, yinz missed a hell of a ride." "I'll have to take your word on that one," Goralin said with a chitter, "Anyway, while we were waiting, I went through the files that were attached to the message and it looks like she sent us a good one." "Oh," Michael asked, interested, "she send anything else?" "Just a few video files," Goralin trailed off. Michael looked around to see the rest of the bridge crew barely able to hold back their chittering. So they were those kinds of videos… Michael sighed, "Put the important one up on the main screen. I'll take a look at the rest later." Goralin flicked his ears in amusement and brought up the message file. Gabby appeared on the main screen, thankfully wearing her work outfit, with a cqcq cigarette in her hand, "Long time no see," she said, taking a hit and blowing the smoke off-screen, "I had my contacts do some digging and they found a good one. There's no bounty, sadly, but I don't think you'll have a problem with that. Everything you'll need should be in the files I sent along with some...other things I know you'll like," she winked at the camera, "Hoping to hear back from you soon." "Did she send a location," Michael asked, turning toward Goralin. "Already punched in," Goralin said with a pant-grin. "Good man," Michael said with a gentle clap on Goralin's shoulder, "Prep the ship for warp, I'm gonna head to my quarters to uhh…review the other files she sent and get a reply together to send over during the next sync." Michael left the bridge to sound of barely contained chittering from the crew and made his way back to his quarters. When he reached the mess heard raised voices coming from inside. So he stopped to eavesdrop just outside the door. "For the last time Jilink," Guln said, "I have absolutely no interest in your insane delusions. No matter how...impressive you may find the humans in their mating practices!" "Oh come now," Jilink said dismissively, "You seriously cannot believe that the way our species handles reproduction is good for our long term survival can you?" "What other choice do we have," Guln asked, "we have long since passed the point of being biologically able to reproduce, but that is beside the point," he lowered his voice, "it was simply proposing the idea of reverting back to biological reproduction that made you one of the few Corti that had their banner status stripped all the way down to yellow." "That was just because those in the Directorate are too narrow-minded to see past their own hubris," Jilink said angrily, "it was only when I started unlocking and splicing genes that had been previously bred out that I started to question their rhetoric. If you would just let me-" "No! I will not hear of it. Mess with your own genetic code all you want, but I will not have you turning myself and Kilnq into genetic freaks," Guln said, moments before storming out of the mess. He ignored Michael and headed off toward the med bay. Michael poked his head into the mess and saw Jilink sitting alone, forlornly picking at a plate of steamed mushrooms and cqcq. She looked up as he walked over, "If you are going to play at eavesdropping you might want to consider that we can feel your every step through the deck plating," she said with a shrewd look. "So what was your banner status," Michael asked bringing over a chair that could support the weight of himself and his armor. He sat down and took off his helmet, placing it on the table in front of him. "No remorse and straight to the point I see," she let out a deep sigh, "Before I began...experimenting...on myself, I was a silver banner." From what Michael knew about Corti social structure, Jilink had been next to royalty. To give all that up... "Fuck," Michael said, recovering from his jaw practically denting the table, "Why the hell did you give that up?" "To advance my species of course," she said, her eyes boring into Michael's, "we may be the most technologically advanced in the galaxy, but as a species we Corti have fallen behind tremendously. I may be too brazen in saying this, but we are on the brink." "On the brink," Michael asked, "the brink of what?" Jilink's expression hardened, "The brink of terminal decline, and unless something is done my species will fade into obscurity." "And that something was playing with your own genetics," Michael asked, confused. "Not playing," Jilink said, waving one finger back and forth, "Improving. As we are, the Corti are far from ideal. Intelligent and quick-witted yes, but we lack the physicality to endure as a species for much longer." "And that has to do with what Guln said about the way yinz reproduce," Michael asked, even more confused, "you mean yinz don't have kids naturally?" "As a matter of fact, we do not. Every Corti is grown in a birthing tank," Jilink said matter of factly, "there hasn't been a natural birth for millennia." "Well that's all kinds of fucked up," Michael said, shaking his head, "and they kicked you out for wanting to go back to the way things are supposed to be?" "Precisely. You see, reverting back to biological reproduction would necessitate drastic changes to our biology. It is also the reason why I am so fascinated with how other species reproduce. I have been able to get a wealth of medical data on the subject, but the one thing that most species lack is information on how to make the act more enjoyable. Your species, however," she pointed at Michael's chest, "seems to excel in that regard." "I can see your point," Michael said with a chuckle. "Needless to say there are some practices that simply watching recordings cannot fully explain. You do not mind answering some questions do you," Jilink asked excitedly. Michael shrugged, "I got time. Ask away." Jilink pulled a small tablet from her set of pouches and tapped in a few commands, "I'll start with something that has perplexed me for some time now. Tell me, what is the exact purpose of a bukkake?" ---------- Ten thousand kilometers astern of the Radiant Dawn Whispering Breeze Agent One Six Two Something was wrong. He had been trying to link to the infrared module that was hidden next to the engine cluster on that accursed human's ship for over [an hour] only to receive no response. He double and triple checked that his ship was aligned correctly and found not the barest hint of any discrepancy. This left two possibilities, either the module had malfunctioned, or it had been taken offline. Given the extremely stable nature of current solid-state electronics, the latter of the two options seemed the most probable. He was now forced to consider alternative plans to get the information he needed. One option was to take over one of the human's crew, but the chances of finding one of them alone long enough for him to adjust to the new sensory input were astronomical at best. There was always the option of simply biodroning all the implanted crew, but with the proven combat capabilities of the human and his pet abomination, there was no guarantee of successfully taking over the ship. That left only one option that had any probability of success. Once the human's ship was out of the system and had no hope of detecting him, One Six Two punched in the codes for the only jump beacon that the human had deployed. ---------- Date point: 4 months, 2 weeks, 5 days AV Sol system Earth Allegheny National Park Daniel Mackovich After the Vancouver incident life had gone on pretty much the same as always. As much as he hated to admit it, Daniel wished the aliens had caused more damage. As it was now, people had already moved on. Of course, every news outlet on the planet had milked the story dry within a week, but since nobody other than the aliens had died the story that humanity was no longer alone in the universe had been replaced by the same old shit. Shootings, trouble in the Middle East, China violating human rights, the usual stuff. Both he and David were sick of it. So they had planned a little something to get away. That little something happened to be a camping trip out in Allegheny National Park. Not the biggest excursion by a long shot, but it seemed a couple of days out in the woods was just what the doctor ordered. The first night was just perfect. No rain or swarms of mosquitos, just hours of watching caveman TV with a good meal cooked over the fire to finish out the night. They had been watching the weather and had made sure that there wasn't the barest hint of rain, but it looked like the curse of his old Boy Scout troop had followed him. It had started raining shortly after lunch on the second day. Thanks to a few tricks he'd learned in said cursed Boy Scout troop, Daniel was able to get the fire going, even though all their wood was soaked, so they were at least able to cook their dinner under the tarp David had rigged up over the fire pit. "Well, it wasn't what we were expecting," David said, looking out of the tent, "but I can think of worse ways to spend the evening." "My old scout troop was called the Rain Makers after all," Daniel said with a chuckle, snuggling a little closer to David, "At least the company's better this time around." They sat and watched for a while, listening to the gentle sound of the rain on their tent. David turned around and rummaged around in his bag for a few moments before turning back and locking eyes with Daniel. "Well...I was hoping for a better opportunity but," David trailed off. Daniel looked down at what David was holding in his hand and his breath caught in his throat. "Daniel, will you marry me?" ---------- Date point: 9 months, 1 week, 2 days AV Far Reaches Cimbrean Radiant Dawn Michael Kepler They had made the trip out in astonishingly good time thanks to the black box drive on the Radiant Dawn. Fast as their ship was it had still taken them around six months to reach this little speck of nowhere. However, the extra time gave Michael the chance to work out some armor for his Gaoian crewmates. They had to stop and resupply before they could manufacture any of it though. It seemed that they had burned through most of their supplies for the nanofac with the Requiem's retrofit. The armor they had worked out was much like Hephaestus' in the way that it relied heavily on lightweight composite plates instead of heavy alloys like Michael's. The plus side was that Hephaestus had worked out a composite that could take multiple hits from a heavy pulse cannon before failing. Not that the Gaoians would be taking much fire though, each one had a portable cloaking generator to make the best use of their natural talent for sneaking. There was one problem with the suits though, they had to be kept loose to accommodate the Gaoians' fur. Which meant that they would have to rely on shield harnesses for protection against the vacuum of space. Not the best prospect in Michael's mind, but they didn't seem to have the aversion to relying on forcefield tch like he did. And since Michael wanted some semblance of a uniform for his new band of mercs, the chest plate and helmet had kept as much of the standard Mandalorian looks as possible. The helmet was kinda tricky, considering that the Gaoians had much longer noses than humans, as well as ears that came out of the top of their heads. In the end, Gaoians had to deal with the minor discomfort of having their ears squished down, but it was worth it if they wanted to have their heads protected. As for the stereotypical "T" shaped visor, Michael settled on a shortened version, ending just above the Gaoians' snouts with a protrusion to cover their nose and mouth. It also had the benefit of allowing the Gaoians to personalize the lower portion, and once one of them had painted fangs on his, the rest had followed suit. Michael had to admit, it looked totally badass. The extra time also gave them the chance to develop their arsenal. The standard pulse guns were ditched in favor of coilguns. Most of the Gaoians went with something like an AR-15. They were lightweight, with a variable power setting so they didn't over-penetrate their targets if they were inside a ship or station. The real treat was what the brownies came up with though. The crazy fuckers had amped up their coilguns to a heavy machine gun type thing that could send a withering hailstorm of slugs at whatever unfortunate thing that happened to be on the receiving end. However, it seemed that all of the Gaoians took a liking to Hephaestus' fusion claws and had added their own to finish out their already terrifying array of weapons. They had spent three of the local days cloaked in a high polar orbit mapping the planet and trying to find the location of the palace that was supposed to be here. The only reason it took that long was that they were using passive scans to prevent the discovery of their ship. Since they were stuck in orbit Michael had left it up to the bridge crew to notify him when they found anything. To pass the time and get a better feel on things he had been going through the files on their target. After cross-referencing them with the data from the Twisted Suns it seemed that this particular fucknut had an affinity for ordering Rickytics and Vizkiticks among a smattering of a dozen other species. It couldn't be...could it? Michael dug deeper into the records until he found the right entry. Shit. "Ship," Michael said as he got up from his desk and stretched, still marveling at just how flexible his new armor was. He got a response ping. "Where is Irk?" "Irk is in hydroponics," the ship said through his room's intercom in a perfect replica of Cortana’s voice. Michael didn't know why, but using Cortana's voice for the ship just felt right. Michael grabbed his helmet and locked it in place. "Send him a message that I'm on my way. There's something I need to talk to him about." Michael went to hydroponics and found Irk in his personal corner behind their crop of cqcq minding his bonsai garden. He had originally got the idea from watching Karate Kid of all things. When they had stopped at Haven Irk had purchased a bunch of seedlings from all over the galaxy. As it turned out most of them had the same reaction as Earth trees when they were root-bound inside a small pot. With a little help from some space magic in the form of time acceleration fields, he had more than a dozen perfectly healthy miniature trees. With careful management, Irk had produced some truly fantastical shapes. Hell, he even had one "pot" that was levitating with trees growing out of both the top and bottom. When Michael walked over Irk turned around, "Ah, Michael. You have something you wanted to speak to me about?" "Yeah," Michael said, taking off his helmet and setting it down on the table next to the levitating bonsai trees, "It's about our target." Irk gave him a quizzical look, tilting his head slightly to the side. Michael took a deep breath, "There was a bit of a mix up on the part of the Twisted Suns. Your lifemate and child were actually supposed to be shipped here." "But...the Hunters," Irk trailed off. "That's not all," Michael said, shaking his head, "I really don't have a good way to say this...but it looks like the scumbag we're after wanted you and your family specifically." Irk slumped to the deck, lost for words. "I did some digging into the data we got from the Twisted Suns," Michael said, bringing up the file and sending it to Irk's tablet. It pinged and Irk pulled it out of its pouch with shaking hands. He hesitated for a moment before opening it. Delicately, he tapped the icon and read the file. Irk put the tablet back into its pouch and was silent for a few moments before he gathered his legs under himself and stood up to his full height. He looked directly at Michael, "I have only one request." "Name it," Michael said, locking eyes with Irk. "Bring the bastard to me alive," Irk said with enough bile dripping off the borrowed human curse word to make Michael flinch. No sooner had Irk walked out of hydroponics did Michael receive a notification from the bridge crew. He put his helmet back on and answered the comms. "Yinz found something," he asked, exiting hydroponics and making his way up to the bridge. "Yeah," Goralin said through the comms, "and you're gonna want to see this." "On my way," Michael said, breaking into a run for the hundred-ish meters to the bridge. He exploded into the bridge and skidded to a halt right next to Goralin. Michael was a little out of breath, but it wasn't too bad considering the weight of his armor. Practically living in the suit had its benefits sometimes. Goralin eyed Michael with a hint of amusement "Excited?" "Damn right," Michael said with a chuckle, "we've only been orbiting this dirtball for three days. What'd you find?" "See for yourself," Goralin said with a pant-grin, bringing up what looked like a palace on the main screen. Michael let out a long whistle, "Damn that had to cost a pretty penny." What was on screen was possibly the most egregious display of wealth that Michael had ever seen, aside from his own ship of course. Camera tech was really something else out here, they had to be at least a hundred and fifty kilometers up, but the pictures were clear enough that Michael could see the contents of the gardens surrounding the enormous palace complex. He'd read the specs when he had the sensor suite overhauled, but the fact that their ground facing camera was in the hundred gigapixel range never quite hit home until he had actually used it. "Cost a what," Goralin asked, tilting his head slightly. "Oh, sorry," Michael said, a little embarrassed, "it's an expression for a fuckton of money." Goralin chittered, "Well the palace isn't the only thing that cost a pretty penny. We found something else too." The next thing that came up on the screen left Michael totally speechless. Not too far off the coast was a yacht so big it was practically a floating island. Hell, it even had football-field sized space in the middle that was containing a miniature forest. "Well if they're anywhere, our target's probably on that yacht," Michael said, gesturing to the screen. Goralin zoomed in on it, "It looks like there's a landing pad big enough to land the Requiem near the back." "Well, it's our lucky day then," Michael said, turning back toward the door, "get an assault team ready. We're dropping in an hour." "An assault team," Goralin asked, his ears going slightly back. Michael stopped and turned back around, "Rich fucker like that's gotta be able to afford some really good security, and not the average Chennash mercs either." "Right," Goralin said, "I know Ralthin's gonna be damn happy to finally get a good fight for once," he finished with a slight chitter. The next hour flew by in a flurry of activity as the assault team got the message and scrambled to get into their armor. Thankfully they didn't need to load any cargo into the Requiem, and they already had all their extra weapons stored onboard. Michael made a stop by his quarters to grab his coilgun and its barrel attachments. On a whim, he dug out his antique revolver and strapped it to his hip. He had to stop and laugh at the absurdity of carrying a black powder revolver that was made in eighteen seventy-six, but something just felt right about bringing the old girl along. He made it to the hangar bay just as everyone was getting situated. Hephaestus was already onboard the Requiem running through the preflight checks from his station near the quantum stacks so all Michael had to do was wait for the rest of the assault team to show up. When everyone was strapped in and had their gear stowed for the drop he stepped out to the open space in the middle of the Requiem's cargo area. "Alright," Michael said, running his eyes over the seated Gaoians, "it's our first mission and from the looks of things, it's not gonna be an easy one. We're going in blind and this fucker's probably paranoid enough to have hired some decent security. They won't be like the pirate scum yinz are probably used to. Hell, I wouldn't be surprised if there's a company of Allebenellin mercs waiting for us." Michael paused and let that sink in for a moment, "The main problem is that the yacht we're gonna be landing on is fucking huge. So the plan's pretty simple myself, Hephaestus, Ralthin, and the brownies are gonna raise hell so all the rest of yinz can use your cloaking fields to the best advantage. Sweeping the ship for any other hostiles while looking for our target." That got some chittering out of them. "As for our target," Michael said, starting to pace back and forth in front of the seated Gaoians, "he's a Robalin with some… strong opinions on other sentient life. Apparently, this guy acquired his fortune thanks to some kind of breakthrough in medical tech and bought the palace at an auction when the previous owner's trading company went under thanks to some very poor business deals and Hunter raids on their ships. Ever since, he's lived a comfortable life on Cimbrean buying slaves from the Twisted Suns for God knows what reason," Michael let out a long sigh, "And as much as I'd like to end this guy the second we find him, Irk wants him alive. It seems that this fucker is the one that got Irk's family captured by the Twisted Suns." "An that's why we're not just gonna blast the boat," Yeg asked. "Exactly," Michael said, pausing to congratulate him, "there also might be slaves still on board, so any we find get to come back with us. Any questions?" "Yeah," one of the other brownies spoke up, "when are ya gonna quit talkin' so we can have some fun?" Michael laughed, "Alright alright, I get it," he said, vaulting up the ramp to the cockpit, "hold on to your tails, it's gonna be a bumpy ride." Michael entered the cockpit and closed the door behind him, and once he was in the pilot seat he opened the intercom, "We ready to go?" "The ssship isss ready to depart Michael," Hephaestus said back eagerly. Michael gave the signal to the hangar crew and waited while they depressurized the hangar bay and opened the outer door. Michael opened a channel to the bridge, "Yinz keep an eye out while we're planetside, we might need to come back in a hurry." "Just make sure you don't die down there," Goralin said with a slight chitter, "We'll be waiting for you." "We'll make sure to come back in one piece," Michael said with a chuckle, quickly running through the preflight checks. Hephaestus had already done them so all he had to do was to glance at the display and be sure that all systems were green, "but if yinz are that worried, I'll broadcast the view from my helmet cam." "You know," Goralin said, "I was gonna suggest the same thing. It'll make for good entertainment." "You got that right," Michael said entering the command to release the docking clamps, "Undocking now," Michael said closing the channel and backing the ship out of the hangar bay. Once he was clear of the ship Michael angled the Requiem toward the planet and threw the throttle all the way forward. "Uunngfhhh...Fyu's balls," Ralthin growled through the comms, "I forgot about that." "Yinz okay back there," Michael asked, pulling the throttle slightly back. "Other than bein' crushed inta our seats we're fine," Ralthin said back with a forced chitter. "Hey, I said it was gonna bumpy ride," Michael said with a smirk. They made the rest of the trip down in silence and before long they were punching a hole through the atmosphere leaving a flaming trail of plasma behind them. The yacht appeared on the radar when they were still twenty kilometers up, not that Michael needed sensors to find the thing, he could already see it. Floating island was right, the damned thing had to be nearly as big as the Dawn. When they were about ten kilometers out the comms panel lit up. Out of curiosity, Michael opened the channel. "Unidentified vessel you are appro-" Michael closed the channel, his curiosity stated for the moment. No use talking with them anyway. He closed the rest of the distance gradually slowing down so they wouldn't overshoot. When they got within a kilometer Michael had to admit that the yacht was a truly beautiful ship. It had three hulls connected together by an expansive main deck that swept into a sharp point at the bow where the main hull was cutting through the waves. The most prominent feature being the forest in the middle of the ship protected from the elements by the telltale shimmer of a forcefield. The landing pad near the stern was suspiciously empty, but when Michael brought the Requiem closer he noticed that it had some kind of door in the middle. No doubt it was used for bringing whatever landed down into some kind of hangar. There was no way the Requiem would fit into said hangar, but it looked like the pad was just large enough to set the ship down. Strangely, the yacht seemed to be holding course, almost inviting him to land. He activated the inter-ship comms, "Looks like they're actually gonna let us land. The second we touch down I want the brownies out first. Shoot first, ask questions later." Michael flipped the ship around so she was hovering just above the deck and matched speed with the yacht. He lined it up using the docking camera and set her down with a gentle thump. The very next thing he did was take control of the nose turrets, aiming them at the only door in the aft section of the yacht. He set the ship in low power mode instead of completely shutting down just in case they needed to make a quick getaway, and watched through the turret camera feed as the brownies stormed out of the ship and took their positions. Sloppy by any kind of military standards, but it didn't seem like there was anyone to greet them. Michael unstrapped himself and grabbed his coilgun from the rack next to the door. Walking down the ramp was always tricky thanks to the gravity weirdness, but thankfully he didn't stumble when he stepped off into the planet's own gravity. "No one to meet us," he said, stepping out into the sunlight. Ralthin glanced back at Michael over his shoulder, "I don't like this at all. Even through this helmet, it smells all kindsa wrong." Hephaestus came up behind Michael, "Thisss feelsss like a trap." "Couldn't agree with you more buddy," Michael said, walking forward to the door. "What'd ya wanna do," Ralthin said following close behind. Michael glanced at Ralthinand smirked, "Spring the trap."
Master List Of Left-Wing Youtube AND Podcast Channels - REVISED
Master List Of Left-Wing Youtube AND Podcast Channels ***NOTE: after a discussion with the mods I’ve taken out the original note here. Suffice to say the reason I put together this revised list was to add a number of channels I felt had been unfairly excluded. I’ve taken out a few controversial channels to comply with the mods request that i do so, as well as link to OP at his request. I thank the mods for allowing me to keep the rest of the channels I’ve added to the list. Newly Added channels not on OP: Tovarich Endymion, BrendanMccooney, Red Star Video, Claudia Brown, SJW101, azureScapegoat, Benji Adam Wiskettes, DemocraticSocialist01, Comrade Hakim, FinnishBolshevik, Bat’ko The Manarchist, ProSocialism, Flea Market Socialist, KnowingBetter, and a few others! As a socialist I don't believe masterlists should constitute any kind of intellectual property that should be protected, especially in context of a masterlist that is being shared to spread awareness of leftist channels shared with the leftist community. I believe the channels I added deserve recognition. I don’t mind sharing editing with the community — let me know what you’d like to add and I’ll try my best to accommodate within the word limit here. I’ve had to take out a few of the film related channels to make room for more directly politically related podcasts. I included the Podcast section in post and just removed the NEWS section of the original post, so that can be found in the OP (link in title). Also please note that to accommodate more podcasts and other more directly related leftist channels, I’ve had to remove some more film focused channels. Those can be found on the OP. Thanks comrades. ---------- please give these channels as much help as you can by subscribing and watching their content. We need these things to expand as much as possible if we don't want to entirely lose YouTube to the far-right. ContraPoints: Explains political and social justice issues in funny and accessible way, utilising atmospheric lighting, lavish sets and costumes and memorable characters to illustrate her points. Recommended video: Does The Left Hate Free Speech? Hbomberguy: Debunks and mocks the views of right-wing YouTube commentators. Combines silly sketch comedy with well-researched critiques. Also reviews media like TV and video games. Recommended video: Soy Boys: A Measured Response Shaun: Creates longform, extremely thorough and straightforward rebuttals of right-wing videos. His content is also very researched and relies on some very sly, dry humour. Has also begun making videos explaining left-wing positions on issues such as 'How Privatisation Fails: Railways'. Recommended video: The Great Replacement Isn't Real ft. Lauren Southern Innuendo Studios: Brought to my attention through the comments here. Has done some very interesting series of videos including 'Why Are You So Angry?', which analysed the mindset of the young men behind Gamergate. Recommended videos: The Alt-Right Playbook: Introduction Peter Coffin: Creates deep dives from a socialist perspective into topical political and social issues. Also does regular livestreams on these subjects with his wife Ashleigh. Recommended video: What Jordan B. Peterson Is Doing Philosophy Tube: Analyses current affairs through a philosophical lens and creates explainers on well-known and important moral and political philosophers and philosophical concepts. Recommended video: The Philosophy of Antifa Potholer54: A journalist and former geologist debunks climate change denial and other science myths ranging from that of right-wing YouTubers like Steven Crowder and Stefan Molyneux to major denier figures like Lord Christopher Monkton and Patrick Moore. Makes an enormous point of referencing scientific papers and consensus on these issues, but addresses these subjects in a very easy to understand way. Perhaps my favourite of all the YouTubers on this list. Recomended video: Top 10 climate change myths Three Arrows: Debunks inaccurate takes on history by the right wing. Uses a similar longform format to Shaun's videos, and is also very well-sourced with some of the mods of the Ask Historians subreddit acting as researchers. Recommended video: Guns in the Third Reich - A Response to Ben Shapiro And Others Anactualjoke: Refutes poor understandings and misrepresentations of Marxism from YouTubers like Sargon of Akkad and PragerU while defending socially liberal ideas like intersectionality. Recommended video: The Youtube Red Scare: Episode 1 - Does Sargon Understand the left? Benji Adam Whiskettes: Excellent marxist channel featuring videos on how Communism has improved womens rights, why the profit motive is not good, wealth gaps, and how capitalism has not created jobs. Noteworthy for video of Professor G.A. Cohen debunking the myth of incentive under capitalism Recommended video: G.A. Cohen debunks the myth of incentive under Capitalism Red Star Video: Featuring marxist film reviews, analysis of the origin of the alt right, reaction videos on political charts, history of the second international, cuban socialism, and an overview of different tendencies, Red Star is an overall great marxist channel. Noteworthy for video “Why The RIght Is Wrong On Free Speech” Recommended Video: Why The Right Is Wrong On “Free Speech” Claudia Brown: Feminist and socialist channel featuring a variety of videos on a wide variety of subjects. Everything from Islam and Feminism to response videos, to women’s participation in the workplace, to examinations of the use of buzzwords. Noteworthy for unique perspectives on feminism and capitalism. Recommended Video: Capitalism DOESNT enhance innovation SJW 101 The Political Gamer: A channel that does effective leftist critique on a variety of issues, including on anti-feminism, the youtube right, the “skeptic” movement, Milo, Laci Green with wry wit and careful analysis. Recommended video: Sargon, collectivism and the Skeptic Community Brendan Mccooney: Hands down the most comprehensive channel on Marxian Economics. Covers topics like the law of value, overdeterminism, etc. in depth with well edited videos featuring videos, graphics. An absolute must for understanding economics, not too dry either. Recommended Video: Law Of Value: Introduction DemocraticSocialist01: With well edited, carefully argued videos on Hayek, Pinochet, Mao, Capitalisms Death Toll, Coach Red Pill, Brazil and Venezuela, this channel is excellent in debunking a lot of bad reactionary arguments while teaching quite a lot. Recommended Video: Mao Did More Good Than Harm (Note: This video is mirrored, the video was taken down from his channel for some reason). BadMouseProductions: Similarly primarily debunks bad understands of socialism from the right, but also does videos explaining socialist concepts and debunking bad right wing takes on other topics like climate change. Recommended video: Argument ad Venezuelum (debunks the idea that Venezuela is a socialist country) C0nc0rdance: Only uploads infrequently, but does very educated videos explaining scientific concepts such as gender and the genetics of ethnicity from a left-wing perspective. Also does videos addressing social topics from this same political viewpoint. Recommended video: The Science of Human Races, Part 1 CreationistCat: The Mr. Plinkett of the YouTube Left. Using absurdist humour, bizarre editing and yet surprisingly great insight and research, the character of Creationist Cat (a magical housecat who was 'zapped through da internet' by God) mocks and exposes the bullshit of the right wing and online skeptic community. Recommended video: MILO YIANNOPOULOS: EXPOSED! Comrade Hakim: Noteworthy for a variety of videos discussing everything from the problem with worker co-ops, healthcare, how socialism gives a better quality of life, and one must watch video in particular on the subject of capitalism lifting people out of poverty. As an addendum to that video, I also recommend the Guardian Article “Aid In Reverse: How poor countries develop rich ones” Recommended Video: Capitalism HASNT Lifted People Out Of Poverty Cuck Philosophy: Explains topics in moral and political philosophy, does Marxist analyses of popular culture, but has perhaps best contributed to left-wing YouTube by doing long, in-depth deconstructions of the way figures like Jordan Peterson, Sam Harris and Steven Hicks misunderstand philosophy. Recommended video: A Critique of Sam Harris' 'The Moral Landscape' EssenceOfThought: Left-wing atheist channel that goes against what has become typically expected from the 'skeptic' community and actually critiques not only arguments from religious apologists, but also those who argue against non-binary gender, trans identities and other LGBT rights. Recommended video: Jordan Peterson Lies About The Science On Same Gender Parenting For Harriet: An intersectional black feminist channel which, aside from responding to current events pertaining to women's rights, takes a fairly uncompromising look at the perceived flaws in the movement to effectively analyse how it can be made better. Recommended video: Candace Owens Is A Bad Actor Tovarisch Endymion: An overall excellent marxist channel featuring videos on topics about Capitalism, how socialism HAS worked, replies to prager U and other reactionary channels, as well as a number of explainer videos. Noteworthy for video on an analysis of countries with deregulated market economies which feature atrocious wealth gaps. Recommended Video: A Look at the Freest Markets In The World Libertarian Socialist Rants: An anarchist who debunks bad capitalist arguments and anti-social liberalism views. Also does videos explaining anarchist principles and refuting common critiques of this ideology. Recommended video: Anarchist Commentaries Episode 6: Paul Joseph Watson and the Dunning-Kruger Effect RichardDWolff: The channel of well-known Marxist economist Prof. Richard D. Wolff. This channel is home to exclusive lectures where Professor Wolff explains current American and global economic problems and how Marxian economics can be both a prism to analyse how these problems effect people, and also be a solution to these systemic economic flaws. The channel Democracy At Work(which actually currently sits at 60k subscribers) features other lectures on the same subjects regarding contemporary failures of capitalism, and is based on a book of Wolff's with the same name. Recommended video: Crisis and Openings: Introduction to Marxism - Richard D Wolff The Messianic Manic: Another left-wing atheist channel. Does short but clever videos rebutting bad arguments from religious apologists and social conservatives. Recommended video: Ben Shapiro Is Wrong About: Raising Children Zero Books: A promotional channel for the Marxist literary publishing imprint of the same name. Uses the books available from their line as a starting point for videos exploring concepts in political and social philosophy and interpreting current political events and figures through a Marxist lens. Recommended video: The Intellectual Dark Web Is Afraid Of Marx AngieSpeaks: Produces anarchist critiques of current political events and explorations of anarchist/socialist history. Recommended video: Conspiracy Culture: A Leftist Analysis BlackGoat 666: Debunks online right-wing heroes like Ben Shapiro, Jordan Peterson and Christina Hoff-Sommers. Recommended video: Jordan Peterson Is A Fraud. Part 1: Bill C-16 Eric Taxxon: Known for doing Hbomberguy's music, but between original music videos does left-wing response videos to people like Paul Joseph Watson. Recommended video: The Kunst Saga | How The Right Wing Views Modern Art In Otter Words: Hasn't uploaded in a year but hopefully will again soon since his output has been very underrated. Debunks bad right-wing criticisms of feminism and the trans rights movement. I'm shocked no bigger YouTubers have seized on his discovery that Ben Shapiro has been lying about the trans suicide rate. Recommended video: Ben Shapiro and the Transgender Suicide Rate José: Very similar to the style of Potholer54, but addressing similar subjects to channels like those like Hbomb, Shaun and Contra. He debunks right-wingers like Dave Rubin, Steven Crowder and Roaming Millennial with very eloquent, long-form responses. Recommended video: Steven Crowder Is A Fraud | Change My Mind Kristi Winters: Feminist social scientist famous for pummelling Sargon of Akkad when they debated. Does discussion livestreams addressing events and arguments of the anti-feminist 'Skeptic' community. Recommended video: Reasonable Questions For Anti-SJWS and Formal Debate: Sargon of Akkad vs Kristi Winters Maria the Witch: Covers feminist and LGBT topics. Similarly to Contra (whom she has recently done a video criticising) Maria often rebuts anti-SJW points against socially progressive ideals, having done videos addressing fat shaming, the placement of asexuality on the LGBT spectrum, and the commodification of female beauty. Recommended video: Roaming Millennial: Hates Women. Hates Facts. Messy Elliott: Has done rebuttals to Dave Rubin and InfoWars as well as a video defending non-binary gender from the uneducated criticism of major YouTubers (see below). Recommended video: YouTubers Don't Understand: Non-Binary People | Messy Elliott Mexie: Creates very polished socialist critiques and explorations of economic topics Recommended video: Why People Who Need Redistribution Hate It: The Free Market & You Mia Mulder: Self-proclaimed ‘angry trans woman’. Addresses political topics such as the Syria conflict, debating with white supremacists and the relationship of left-wing ideology with trans women in an entertaining way. Recommended video: Syria: Many Of These Options Are Bad Never Speak In Absolutes: Creates videos that draw on a knowledge of philosophy to critique members of the Intellectual Dark Web like Jordan Peterson and Sam Harris, as well as addressing other big issues like peak oil. Occasionally livestreams with Douglas Lain of Zero Books. Recommended video: What Jordan Peterson Gets Wrong About Marx, Postmodernism and The Left. NonCompete: The channel's description sums it up best, "Non-Compete is a leftist blog and video series dedicates to the principles of intersectionalist liberation, anarchism, communism, and puppet shows." Does videos similar to the style of Peter Coffin addressing specific leftist issues alongside a podcast with other leftists mentioned on this list like AngieSpeaks and RadicalReviewer. Recommended video: The Red Pill is a CULT PoliDice: Creates ‘debunking’ videos similar to the Potholer54 format José uses, and addressing similar topics. He’s done videos responding to Matt Christiansen, Steven Crowder, Ben Shapiro and PragerU. Recommended video: Ten Horrible Ben Shapiro Arguments Debunked Radical Reviewer: Previously focused on reviewing leftist books and other media, but as of about a day ago has branched out into response videos to right-wing lunatics. Recommended video: Stefan Molyneux Doesn't Understand Anarchism Rational Disconnect: Creates very Hbomberguy-esque videos responding to shitty arguments and videos from the skeptic community and alt-right. Like Hbomb he talks to the camera and includes performative comedy bits. Recommended video: South Africa & The Far Right | PART 1 (placed in limited state by YouTube because the alt-right reported it for the clips from other people he includes who themselves were not flagged) KnowingBetter: Debunking channel featuring videos exposing Gandhi, defending Christopher Columbus, and going after the likes of Winston Churchill. “Now you know better” Recommended Video: Going After Gandhi: A Perverted Purity Sarcasmitron: Another ‘debunker’ in the Potholer format. Has responded to Paul Joseph Watson, Ben Shapiro, No Bullshit and Stefan Molyneux in between video game and politics related shitposts. Recommended video: The Truth About Paul Joseph Watson (For Real) Thom Avella: Similar to hbomberguy's style but more vlog-based. Rebuts right-wing videos but also has a series called 'Buzzwords from the Right' where he specifically debunks misused terms and slurs used by that side like to chastise us. Recommended video: What "Questions for SJWs" Taught Me About YouTube Antifeminism Thought Slime: Anarchist who explains the tenents of his ideology and occasionally responds to right-wing dipshits. Recommended video: We don't talk about She-Ra (sorry to have two She-Ra related videos in a row, but this truly is my favourite thing this guy’s done) Xexizy: Marxist who both promotes socialist ideology and critiques those who misrepresent and slander it such as PragerU, Ben Shapiro and Jordan Peterson. Recommended video: Different Kinds of Marxism Explained Bat’ko The Manarchist: Bat’ko is a leftist prominent on leftypol. He makes hilarious and clever songs about IDPOL and Stalin using classic Russian choir songs Recommended Video: Best Of Leftypol Choir [Nyx:](www.youtube.com/watch?v=sd_YNMEZndA) She covers movies/films, often utilizes a leftist frame, and sometimes dives into topics related to being trans. azureScapegoat: Marxist who promotes socialist ideology; one of the most prominent features of this channel is an explainer series of videos on Cuba’s economic and political system. Noteworthy also for a video where he carefully clarifies the distinctions between socialism, communism, and modern communism. Recommended video: How Democracy Works In Cuba YUGOPNIK: Very new anti-capitalist channel. Critiques capitalist arguments ('Capitalist Philanthropy and Charity, why it doesn't work'), defends criticism of the left (Re: PragerUniversity on LEFTISTS and TOLERANCE) and promotes a Marxist praxis through everyday needs (see below). Recommended video: Why Gamers Should be against Capitalism Flea Market Socialist: Creates long and short videos on how to survive capitalism, make propaganda fun, subvert the system, and gives us that pure pure crystalline ideology we so desperately desire; straight to the jugular. Recommended Video:Surviving Capitalism ProSocialism: Small Trotskyist channel with videos on the bolsheviks, Lenin, and the Russian Revolution. Recommended Video: The Russian Revolution Of 1905 Aphreditto:A leftist channel devoted to anarchist and anti-capitalist alternative education that pairs EDM with lectures and audiobooks by historical and contemporary thinkers. [Recommended Video:]Murray Bookchin (1975) "The New Harmony" - Liquid Drum & Bass Mix Anarchopac:: A philosophy channel that discusses Anarchism, Feminism, and Marxism. Recommended Video: Ben Shapiro doesn’t understand intersectionality - Media essayists and critics: Big Joel: Does video essays on film, TV and video games with a very political slant. Analysing the Christian propaganda of the God’s Not Dead series, the preachy style of 1950s propaganda shorts, and what he believed to be the shallow politics of Black Mirror (as well as other less political analyses of movies like The Room and Disney films). He has recently branched out into much more overtly political content, creating videos which refuted arguments in Cassie Jaye’s men’s rights film ‘The Red Pill’ and the videos of Prager University. Recommended video: The Red Pill: The Strange Art of Men's Rights Activism (Part 1) donoteat01: Brought to my attention through comments. A fascinating channel using the game Cities: Skylines to illustrate the socioeconomic impacts the urban planning of cities can have on people's lives, both through the development in cities in history and in their redevelopment today. If you're interested in class analysis this series will be perfect for you. Recommended video: Cities: Skylines | Power, Politics, & Planning: Episode 3: Gentrification Folding Ideas: While not too overtly political, a leftist sense of justice and morality is pervasive in all Dan Olson’s work on this channel. He creates very lengthy analyses of movies and cultural events like last year’s weird YouTube kids video algorithm. Perhaps his most politically potent work though is the video I’ll link down below. Recommended video: Triumph of the Will and the Cinematic Language of Propaganda Kyle Kallgren: Film critic specialising in art cinema, but always from a socially left-wing perspective. While this political aspect is clear in all his reviews, often he does do videos exploring politics a lot more overtly such as below. Recommended video: From Caligari to Hitler: Imagining the Tyrant - Between the Lines Lindsay Ellis: Like Olson and Kallgren, Ellis started back in the day on That Guy With The Glasses, but has since transcended that prison into a phenomenal film critic. She uses dry humour and widely recognisable pop culture (her favourite subjects being Disney and Transformers) to look at intersecting social and political trends. While she’s often spoken from a feminist perspective, her recent work has begun delving into Marxist analysis in a way she’s very accessibly explained to the wide audience who watch her. Recommended video: Marxism! | The Whole Plate Episode 9 Jack Saint / LackingSaint: Formerly did animations, now does video essays with political themes like in the link below. Also interesting is his parody of anti-SJW film reviews 'Rational Big Boy DEMOLISHES SJW Propaganda: 12 Angry Men'. Recommended video: Sky High: Disney's Fascist Eugenics Movie Pop Culture Detective: Despite the current cultural backlash to social justice, this guy has somehow gotten away with making video essay after video essay with millions of views criticising the portrayal of toxic masculinity in film and television, while celebrating the non-normative gender archetypes in media like Steven Universe. Recommended video: The Adorkable Misogyny of The Big Bang Theory Renegade Cut: Another long-form video essayist, but has a particular emphasis on analysing social justice in film. His work includes critical readings of the white privilege themes of ‘Get Out’, the perhaps accidental Ayn Randian/Objectivist themes of ‘The Incredibles’, and as seen below, the contentious approach to racism of ‘Three BillBoards Outside Ebbing, Missouri’. Recommended video: How (Not) to Discuss Racism in Film - Three Billboards Outside Ebbing, Missouri | Renegade Cut Step Back History: A history channel exploring important events from a progressive perspective. Has done videos addressing topics the right tends to obscure or ignore the truth of like, the pre-Columbian Americans (see below), 20th century communism, the rise of ISIS, anarchism during the Spanish Civil War and many others. Recommended video: The Truth About Native Americans before Europeans Arrived PODCASTS (Find On Podcast App) Chapo Trap House: Leftist comedy podcast featuring interviews with a wide variety of writers and other prominent leftist figures. Along with film reviews, they also read and make fun of right wing and liberal media figures. They are very popular and do tours. Look up their clips on YouTube and obviously check this one out. The Michael Brooks Show: Michael Brooks of the majority report’s show which features guests, analysis of politics and culture from a socialist perspective. Entertaining, funny, and overall wonderful podcast. Best Of The Left: Aggregation of clips from a variety of mostly progressive and socialist radio and other leftist sources covering one important topic each episode. The Majority Report: Mentioned in the youtube list, this is the actual podcast that the youtube clips come from. I listen every day. Simply excellent. This one I consider a must listen. The Other Washington: Policy analysis from a progressive perspective. Noteworthy for analysis of minimum wage arguments. Antifada: Jamie Peck of the Majority Reports podcast. Socialist with interviews and discussion of a variety of intriguing subject matter. Jacobin Radio: Podcast of Jacobin Magazine -- analysis and discussion of issues from a socialist perspective Current Affairs: Mentioned in the youtube list; the podcast features unique discussion of a variety of relevant policy and other topics from the magazine editors relevant to the socialist left News From Nowhere: Corey Pein’s (Live, Work Work Work Die Author) unique podcast from a socialist perspective. The Breunigs: Matt And Elizabeth Breunig of the Peoples Policy Project carefully and holistically analyze and discuss a diverse range of economic and policy issues. This Is Hell!: Socialist analysis and interviews on a wide variety of topics relevant to the socialist left. Zero Books: Mentioned in the youtube list; this is the podcast. Dissent Magazine: Podcast of the Magazine Citations Needed: Carefully policy and discussion of a variety of issues from a socialist perspective. Intercepted: podcast of intercept magazine hosted by the brilliant and highly well regarded Jeremy Scahill, author of Blackwater and dirty wars. Pod Damn America: the anti liberal pod save America. Features interviews with dsa members, organizers and other leftist activists and workers. Vegan Vanguard (Mexie) Mexies youtube channel is charming, with well researched leftist subject matter and effective, well communicated presentation. Her podcast follows this trend. Dead Pundits Society: severely underrated podcast featuring interviews with leftists as diverse and important as Adolph reed jr (the anti Tahnahisi Coates (materialist over idealist analysis), economics, unions, and a socialist foreign policy. Supreme Leap Forward, Mic Dicta, (Socialist legal analysis) Revolutionary Left Radio: Great pod from an ML on a variety of topics with lots of guests; did a great cross-over with The Antifada which would serve as a great introduction if you already listen to them Media Roots: hosted by Abby Martin and her brother. This is Media Roots self described website description: "Media Roots is a citizen journalism project that reports the news from outside of party lines while providing a collaborative forum for conscious citizens, artists and activists to unite." The Guillotine: hosted by Brett from Rev Left Radio and Dr. Bones, it is a self-described "podcast covering global current events from a revolutionary communist and anarchist perspective." Street Fight: based out of Ohio, Street Fight Radio, or Street Fight is an American politics and humor radio show and podcast founded in June 2011 and hosted by Brett Payne and Bryan Quinby with anarchist leanings. Gritty and down to earth Congressional Dish: podcast which is basically one woman going on a deep dive on recently passed bills, Senate hearings, that kind of thing. Lots of good episodes about US imperialism. Very detail focussed. Cumtown: baconshark316: “not like really leftist but they're good friends with Chapo and guest on each other podcast before. Cumtown is comedy but their politics are pretty left. They just don't talk politics as much as Chapo.” very “dirtbag left” Ashes, Ashes: David Torcivia and Daniel Forkner discuss systemic issues, cracks in civilization, collapse of the environment, and the end of the world." Criminal (In)justice: as you can guess from the name, this podcast focuses on injustice in the criminal justice system... a lot of the critiques are quite leftist. Your Kickstarter Sucks: a unique podcast with a humorous leftist analysis of a wide range of topics as diverse as gun violence apps, bus people, and cultural topics. I’ve heard it’s funny, still gotta get around to it Season of the Bitch: Very well-informed feminist/Marxist show Economic Update.: The podcast version of Richard Wolff's weekly show found on Democracy @ Work's YT channel The Dig: Podcast from Jacobin Magazine Deconstructed: Another pod from The Intercept Eyes Left: Anti-war pod from two lefty army vets The Bernie Sanders Show: Bernie will occasionally drop a half-hour commentary on big headlines Working Class History: Exactly what it says on the box Even More News: From the "Some More News" YT channel team Socialist Rifle Association: A leftist podcast commenting on recent news, with focus on guns and gun laws, commenting on a variety of topics including new legislation, minorities and police. Also they regularly bash Musk, with is always fun. And they are official podcast of SRA, but that's obvious. The Magnificast: A Christian, Marxist podcast Chuck Boonta Vista Socialist Club:”It's the Australian rip off of Chapo Trap House” Neighbor Science: Post-Scarcity Anarchism authors and profit sector business executives Pieter de Beer and Ryan Salisbury focused on political economy, ecology, and billionaires Radio War Nerd: Excellent leftist foreign policy analysis Novara Media: Aaron Bastani and Ash Sankar (of “I’m literally a communist”) have an excellent podcast AND YouTube channel featuring videos on subjects as diverse as islamophobia/Sam Harris, Homo-Nationalism and British Politics. Highly recommended Media democracy pod: like the uk version of citations needed. very good analysis of the media by tom mills & dan hind, who have both written books on the subject for verso. also putting forward pretty concrete plans to democratise the media over here. Discourse Collective:: leftist podcast analyzing culture and current events from a left perspective with various guests from the left activist and media sphere, as well as an ongoing reading series of of the works of important leftist authors (Prohoun, Kropotkin, Bakunin, etc). The Black Podcast: Red Scare: socialist feminist takes on current events and patriarchal norms, with film analysis as well Swampside chats: the topics can be pretty niche ("here's this left-wing party that split in 1976," "here's this ultra-reactionary who wrote a manifesto") but it pulls off a combination of entertaining and intellectually serious that's p rare IME. Behind the News: more current-events-driven and less entertaining, but is still probably one of the best Serious Interview shows out there. No Cartridge Audio: leftist critiques of video games through a literary lens. They hosted the Texas-Christman Video Game Debate. Struggle Session: reviews a lot of nerd/pop culture media, and often features very insightful views into the world of entertainment industry labor issues. One of their hosts, Leslie Lee, has been on Chapo. District Sentinel: a podcast co-op (based in DC so you don’t have to be) on daily news, haikus, and analysis from the left. Trillbilly Workers Party :Leftist podcast based in coal country, USA. Mostly a lot of local stuff about the small town they live in, but they have some good takes, and they need the exposure. BitchFace Podcast:CRITIQUES OF POWER + WE GOT JOKES" Minion Dead Cult: “They talk about news stories through the lens of insane right wing Facebook comments. It's a fun time.” Delete Your Account - Analysis on current issues, e.g.healthcare, gaming industry unionization, evil landlords Scumbag - Chapo's Felix and some guy that works in PR talk about internet weirdos (no longer active, but has a few good eps) The Dig- another dead podcast - it's all a bit about Carl Diggler - a dril/journalist character played by Felix, and Virgil Texas as his millenial sidekick Left Out:: podcast by Paul Sliker, Michael Palmieri, and Dante Dallavalle with in-depth conversations with leftist economists/organizers/thinkers. Left Anchor: new podcast started in fall 2018 from Ryan Cooper & Alexi the Greek. Discussions between the hosts looking at historical leftist thinkers and applying to current events. SWOTI (Someone's Wrong on the Internet): Hosted by Briahna Gray Joy and Joe Kunhilee, two leftist millennial POC. Entertaining and upbeat show that ranges from pop-culture to current events to dunking on centrist libs.
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